Jaroslav Kyzlink

RECENT AND FUTURE ENGAGEMENTS

Jaroslav Kyzlink’s most recent and future engagements include (a.o.):

• Jenůfa at the Teatro Nacional de São Carlos in Lisbon;
• Il Barbiere di Siviglia, Die Zauberflöte, Turandot, The Bartered Bride and The Devil and Kate at the National Theatre Prague;
• Die Fledermaus and Hubička (The Kiss) at the Slovak National Theatre;
• The Bartered Bride at the Savonlinna Opera Festival;
• A concert with the Slovak Philharmonic at the Bratislava Music Festival (2024).

BIOGRAPHY

Jaroslav Kyzlink hails from Brno, where he studied conducting at the Janáček Academy of Music. In 1992 he joined the Brno Opera, initially serving as chorus master, and became a conductor in 1996. Between 2001 and 2003 he was the company’s chief conductor and artistic director. While at the Brno Opera, he worked on a number of productions; for the Janáček Brno international festival, he prepared the world premiere of the original version of The Excursion of Mr. Brouček to the Moon (2010).

Jaroslav Kyzlink conducted the Brno Opera at festivals both at home and abroad including Japan (2001, 2003). In 2003 he established a collaboration with the Slovak National Theatre Opera, and from 2004–2006 he was its chief conductor. In 2008, he prepared Gluck’s Orfeo ed Euridice for the Slovak National Theatre in Bratislava and Teatr Vielki in Warsaw. In 2010 he conducted Korngold’s Die tote Stadt at the Danish National Opera in Copenhagen and returned to the Wexford Opera Festival with Smetana’s The Kiss. In 2011 he conducted Dvořák’s Rusalka in Bonn and at the New National Theatre in Tokyo. In 2012 he prepared new productions of Rusalka for the National Theatre Brno and Janáček’s Jenůfa for the Slovak National Theatre. In 2013 he conducted Verdi’s Les vêpres siciliennes at the National Theatre Brno and Don Carlo at the National Theatre Opera in Prague, of which he was chief conductor in the 2012/13 season.

In the autumn of 2013 he returned to the Danish National Opera to prepare the first staging of Janáček’s Katya Kabanova  in Denmark and in 2014 he was scheduled to return to the New National Theatre in Tokyo to work on a production of Korngold’s Die tote Stadt.  In the National Theatre in Prague, he prepared new productions of Mozart’s Die Zauberflöte, Martinů’s Juliette (The Key to Dreams), Berlioz’s La damnation de Faust and Verdi’s Un ballo in maschera, and Requiem, Janáček’s The Excursions of Mr. Brouček and Katya Kabanová, Smetana’s Libuše, Dalibor and The Bartered Bride, and Rossini’s Il barbiere di Siviglia. He has collaborated with numerous symphony orchestras.

Since 2006 he has worked as a visiting teacher at the Music Faculty of the University of Performing Arts in Bratislava. In 2014-2019 season, he was a chief conductor of the Slovenian National Theatre in Ljubljana. From September 2016 to July 2022 he was a music director of the National Theatre Opera in Prague.