INTRODUCTION

Cutting a magnetizing figure on the podium, Spanish conductor Sergio Alapont is known for his passionate, compelling, and inspirational conducting and is one of the leading conductors of his generation. In 2016, Alapont won the Best Conductor in Italy Award at GBOSCAR– L’Eccellenza dell’Opera.

RECENT AND FUTURE ENGAGEMENTS

Recent opera highlights include La rondine at the Opéra-Théâtre de l’Eurometropole de Metz, Nabucco at the Teatro de la Maestranza of Seville and the Teatro Real de Madrid, La bohème at Irish National Opera, Carmen at the Teatro Calderon of Valladolid, his US debut conducting La Rondine at Minnesota Opera, a new production of Idomeneo at Opera National du Rhin in Strasbourg, L’heure espagnol and Gianni Schicchi at Opera Lombardia, La Voix Humaine with the European Youth Orchestra «Ferruccio Busoni», Carmen at the Opera de Oviedo, The Merry Widow at the Teatro Filarmonico – Fondazione Arena di Verona, Le nozze di Figaro, Lucia di Lammermoor and Norma at the Teatro Comunale di Treviso, Teatro Comunale di Ferrara, and Teatro Pergolesi di Jesi, Poliuto at the Glyndebourne Festival with the London Philharmonic Orchestra, La forza del destino and Don Pasquale at the Opera de Las Palmas, Don Bucefalo at the Wexford Opera Festival, Il capello di paglia di Firenze at the Maggio Musicale Fiorentino and at the Wexford Opera Festival, and Il Barbiere di Siviglia at the Norwegian National Opera in Oslo.

Maestro Alapont’s recent appointment as Music Director at Orquestra Clássica do Centro in Coimbra takes him to Portugal for a variety of symphonic repertoire throughout the season.

His most recent/future engagements include Carmen at the Teatro Grande di Brescia, Teatro Sociale di Como, Teatro Ponchielli di Cremona, Teatro Fraschini di Pavia, and Teatro Donizetti di Bergamo, Andrea Chénier at the Teatro Municipal de Santiago de Chile, Tchaikovsky’s The Nutcracker at the National Theatre of Opera and Ballet of Albania, and Alexander Nevsky and Symphony No. 5 by Shostakovich at the Teatro Massimo Bellini di Catania.

BIOGRAPHY

Equally strong in opera as he is in symphonic repertoire, Maestro Alapont has conducted many of the leading opera and symphony orchestras of the world, always winning outstanding reviews. Orchestras he has led include many in his own country, and guest engagements have taken him to the London Philharmonic Orchestra, Aalborg Symfoniorkester, Ulster Orchestra, Orchestre National d’Ile de France de París, Orchestre National de Metz Grand Est, Orchestre, Orchestre National des Pays de la Loire, Orchestre Symphonique de Bretagne, Orchestra of The Norwegian National Opera, The Orchestra of the Scottish Opera, RTÉ Concert Orchestra, Arena di Verona, Orchestra Sinfonica della RAI, Maggio Musicale Fiorentino, Teatro San Carlo di Napoli, Poznan’s Teatr Wielki, Spanish Radio Television Symphony Orchestra, Orquesta de la Comunidad Valenciana (Palau de Les Arts), Simfònica de Barcelona i Nacional de Catalunya, Orquesta de Cámara de Bellas Artes in México, and many others. He has conducted the leading artists of our time, including Ermonela Jaho, Kristian Bezuidenhout, Erwin Schrott, Gregory Kunde, Placido Domingo, Juan Pons, Celso Albelo, Anna Pirozzi, Désiree Rancatore, Ainhoa Arteta, Fabio Armiliato, Ewa Plonka, Maximilian Schmidt, Alexander Vinogradov, and Lucio Gallo, to name a few; his recordings are available on the labels of RAI, RTVE, RTÉ Ireland, Euroradio, Signum Classics, Ibs Classical, and Universal Music.

Sergio Alapont’s studies took him to Valencia, Madrid, and Munich before he continued his training at the Conservatoire of Music in Pescara with Donato Renzetti, graduating “Cum Laude”. He also studied with Jorma Panula at the Royal College of Music of Stockholm, Helmuth Rilling at Bachakademie of Stuttgart, and Masaaki Suzuki at Bach Collegium of Japan. Additionally, he had the opportunity to assist Marco Armiliato at the Metropolitan Opera of New York, Semyon Bychkov, Antonio Pappano, Nicola Luisotti, Enrique Mazzola, and Ottavio Dantone.

OPERA

 

Bellini, V. Adelson e Salvini*
Capuleti e i Montecchi*
Il pirata*
La sonnambula*
La straniera*
Norma
Bizet, G. Carmen
Britten, B. River Curlew
Cagnoni, A. Don Bucefalo
Cilea, F. Adriana Lecouvreur*
Cimarosa, D. Il maestro di capella
Di Rossi, C. Il sacrificio di Abramo
Donizetti, G. Don Pasquale
L’elisir d’amore
La favorite*
La fille du régiment
Lucia di Lammermoor
Poliuto
Giordano, U. Andrea Chénier
Gounod, C. Faust*
Roméo et Juliette
Lehar, F. Die Lustige Witwe
Martin i Soler, V. Una cosa rara
Mascagni, P. Cavalleria rusticana
Massenet, J. Manon*
Mozart, W. Bastien und Bastienne
Cosi fan tutte
Die Zauberflöte*
Don Giovanni
Idomeneo
Il re pastore
Le nozze di Figaro
Offenbach, J. Les contes d’Hoffmann*
Orff, C. Carmina Burana
Pergolesi, G. Stabat Mater
Puccini, G. Gianni Schicchi
La bohème
La rondine
Madama Butterfly
Manon Lescaut*
Suor Angelica*
Tosca
Turandot*
Ravel, M. L’heure espagnole
Rossini, G. Il barbiere di Siviglia
La Cenerentola
Rota, N. Il cappello di paglia di Firenze
Strauss II, J. Die Fledermaus*
Verdi, G. Aida
Attila
Falstaff
La forza del destino
La traviata
Macbeth
Nabucco
Otello
Rigoletto
Wagner, R. Tannhäuser*
Wolf-Ferrari, E. Sly, ovvero La leggenda del dormiente risvegliato

*excerpts

 

CONCERT

 

Albéniz, I. Asturias (Orq. Guinovart)
Cádiz (Orq. Guinovart)
Canciones Italianas
Castilla (Orq. Guinovart)
Suite Española “Asturias, Cádiz, Castilla” (orch. Frühbeck de Burgos)
Bach, J. S. Brandenburg Concerto No. 4-6
Barber, S. Adagio for Strings Op. 11
Bartók, B. Concert for Piano and Orchestra No. 3
Concert for Viola and Orchestra
Hungarian Sketches
Beethoven, L. v. Concerto for piano and orchestra No. 3-5
Concerto for Violin and Orchestra in D Major Op. 61
Die Geschöpfe des Prometheus, Op. 43 – ballet
“Coriolanus” Overture Op. 62
“Egmont” Overture Op. 55
Symphonies No. 1–9
Two Romances for Violin and Orchestra Op. 40, Op. 50
Berlioz, H. Symphonie Fantastique
Bernstein, L. Divertimento
Symphonic Dances from West Side Story
Bizet, G. Symphony No. 1 in C major
Bolcom, W. Cabaret Songs
Borodin, A. In the Steppes of Central Asia
Polovtsian Dances
Brahms, J. Hungarian Dances
Serenade No. 2
Symphony No. 1 in F Major Op. 68
Symphony No. 2 in D Major Op. 73
Symphony No. 4 in E minor Op. 98
Variations on a theme by Haydn Op. 56A
Violin Concerto in D major Op. 77
Britten, B. War Requiem
Bruch, M. Concerto for Violin and Orchestra No. 1
Bruckner, A. Symphony No. 4 “Romantic”
Copland, A. Concerto for Clarinet and Orchestra
Fanfare for the Common Man
Salon Mexico
Danzi, F. Concertino for Clarinet and Bassoon Op. 47 in B Major
de Falla, M. 7 Canciones populares españolas (Halffter and Berio versions)
El amor brujo (all versions)
El sombrero de tres picos (complete ballet and Suites Nos. 1 & 2)
Debussy, C. Iberia
La Mer
Dukas, P. The Sorcerer’s Apprentice
Dvořák, A. Polonaise (Rusalka)
Serenade for Strings in E Op. 22
Slavonic Dances Op. 46 & Op. 72
Symphony No. 7 Op. 70
Symphony No. 8 Op. 88
Symphony No. 9 Op. 95 “From the New World”
Elgar, E. Sospiri
Enescu, G. Rhapsodie Roumaine
Fauré, G. Pelléas et Mélisande
Requiem
Franck, C. Symphony in D Minor Op. 48
Gershwin, G. An American in Paris
Cuban Overture
Rhapsody in Blue
Giménez, J. La boda de Luis Alonso “Intermedio”
Glinka, M. Capriccio brillante
Grieg, E. Concert for Piano and Orchestra
Holberg Suite for Strings Op. 40
Peer Gynt
Granados, E. Goyescas – Intermedio
Haydn, J. Concert No. 2 in D major for cello and orchestra
Ouverture in Italian style
Symphonies No. 83, 88, 97, 101, 102, 103, 104
The Last Seven Words of Christ on the Cross
Hindemith, P. Marienleben (six lieder)
Symphonic Metamorphoses on Themes of Carl Maria von Weber
Hoffmeister, F. A. Concerto for Viola and Orchestra in D major
Janáček, L. Suite for String Orchestra
Kachaturian, A. Suite Gayaneh
García Lorca, F. Canciones españolas antiguas (arr. Gasull, Vidal, Amargós and Freitag)
Rimsky-Korsakov, N. Capriccio espagnol
Martucci, G. Notturno Op. 70
Mahler, G. Blumine
Das Lied von der Erde
Lieder eines fahrenden Gesellen
Symphony No. 1 “The Titan”
Symphony No. 4, 5, 7, 9
Marquez, A. Conga del fuego nuevo
Danzón No. 2
Martin, F. Ballade for Flute and Orchestra (orch. Ernest Ensermet)
Mendelssohn, F. Concerto for Violin and Orchestra in E Minor Op. 64
Concerto for Violin and Strings in D minor
“The Hebrides” Overture Op. 26
Symphony No. 1 in C Op. 11
Symphony No. 2 Op. 52 “Lobgesang”
Symphony No. 3 “Scottish”
Symphony No. 4 “Italian”
Mozart, W. A. Concert for Horn and Orchestra No. 4 KV 495
Concert for Violin and Orchestra No. 5 KV 219
Concert in C Major for Flute and Harp KV 299
Concert No. 9 for Piano and Orchestra KV 271
Concert No. 21 for Piano and Orchestra KV 467
Concert No. 22 for Piano and Orchestra KV 482
Concert No. 25 for Piano and Orchestra KV 503
Coronation Mass in C Major KV 317
Eine Kleine Nachtmusik
Serenade No. 12 KV 388
Symphony No. 29 in A Major KIV 201
Symphony No. 36 in C Major “Linz” KV 425
Symphony No. 38 in D “Prague” KV 504
Symphony No. 39 KV 543
Symphony No. 40 KV 550
Mussorgsky, M. A Night on the Bare Mountain
Pictures at an Exhibition
Offenbach, J. Grand Concerto for Cello and Orchestra in G Major
Orff, C. Carmina Burana
Pärt, A. Fratres for Violin and Orchestra
Poulenc, F. Hoops – ballet
Sinfonietta
Prokofiev, S. Concert for Piano and Orchestra No. 3
Concert for Violin and Orchestra No. 2
Peter and the Wolf Op. 67
Puccini, G. Crisantemi
Rachmaninov, S. Concert for Piano and Orchestra No. 2
Concert for Piano and Orchestra No. 3
Symphony No. 2
Symphony No. 3
Ravel, M. Bolero
Daphnis et Chloé – Suite No. 2
Le Tombeau de Couperin
Ma mère l’Oye
Rapsodie espagnole
Respighi, O. Pini di Roma
Revueltas, S. Sensemayá
Rodrigo, J. Concierto de Aranjuez (guitar and harp versions)
Fantasia para un gentilhombre (guitar and flute versions)
Per la flor del lliri blau (tone poem)
Tríptic de Mossèn Cinto
Saint-Saëns, C. Bacchanale from Samson et Dalila
Oratorio de Noël Op. 12
Sarasate, P. Carmen Fantaisie for Violin and Orchestra (also flute version)
Romance andalouse
Shchedrin, R. / Bizet, G. Carmen Suite
Schoenberg, A. Brettl-Lieder
Chamber Symphony No. 1
Shostakovich, D. Concert for Violin and Orchestra No. 2
Festive Overture
Symphony No. 5
Symphony No. 7 “Leningrad”
Symphony No. 12
Schubert, F. “Du bist die Ruh”
Symphony No. 4 in C minor D 417 “Tragic”
Symphony No. 5 in B-flat Major D 485
Symphony No. 8 in B minor D 759 “Unfinished”
Schumann, R. Concert for Piano and Orchestra in A minor Op. 54
Symphony No. 2 Op. 61
Symphony No. 3 in E Flat Major Op. 97 “Rhenish”
Symphony No. 4 in D minor Op. 120
Smetana, B. Die Moldau
The Bartered Bride
Strauss II, J. An der schönen blauen Donau Walzer Op. 314
Annen-Polka Op. 117
Eljen a Magyar!
Emperor Waltz Op. 437
Fruhlingsstimmen
Im Krapfenwaldl
Künstler-Quadrille Op. 201
Persischer Marsch Op. 289
Tik-Tak – Polka schnell
Tritsch-Tratsch-Polka Op. 214
Unter Donner und Blitz
Strauss, R. Don Juan
Eine Alpensinfonie
Till Eulenspiegel
Tod und Verklärung
Stravinsky, I. Danses concertantes
Dumbarton Oaks
Le Chant du Rossignol
Pulcinella – original version and orchestral suite
The Firebird – Suite 1919
Suppé, F. von Ein Morgen, ein Mittag und ein Abend in Wien
Tchaikovsky, P. I. 1812 Ouverture
Concerto for Piano and Orchestra No. 1
Marche Slave Op. 31
Nutcracker – full ballet
Polonaise (Onegin)
Rococo Variations for Cello and Orchestra
Romeo and Juliet – Fantasy Overture
Serenade in C Major Op. 48 for String Orchestra
Suite No. 3
Symphony No. 5 in E Minor Op. 64
Turina, J. Danzas fantásticas
Sinfonía sevillana
Villa-Lobos, H. Concert for Guitar and Orchestra
Vivaldi, A. Concerto “per l’orchestra di Dresda” in G minor RV 577
Gloria RV 589
Sinfonia del “Santo Sepolcro”
Webern, A. Langsamer Satz
Williams, J. Three Pieces from Schindler’s List for Violin and Orchestra

VIDEO

Sergio Alapont – ‘Carmen’ by G. Bizet at Teatro Grande di Brescia (Sept. 2025)

Sergio Alapont – ‘La bohème’ by G. Puccini at the Irish National Opera (2023)

Sergio Alapont – ‘Nabucco’ by G. Verdi at Teatro Real (2023)

Sergio Alapont – ‘Till Eulenspiegel Op. 28’ by R. Strauss
w. the ORTVE at Teatro Monumental de Madrid (2024)

REVIEWS

La rondine by R. Strauss at the Opéra-Théâtre de Metz (Oct. 2024)

“The role of the conductor in opera is often considered negligible and many imagine that good musicians and a solid vocal cast are perfectly capable of successfully carrying out a lyrical performance.

The presence of Sergio Alapont at the Opéra-Théâtre de Metz puts an end to this simplistic reasoning and demonstrates – if it were really necessary – all the added value that a conductor possessed by music can bring to the show. In dramatic contrast to the terrifying measures that open the score of Tosca, the first thunderous chords of La Rondine burst from the pit in luminous splashes and immediately assert the demiurgic personality of a very great conductor.

With his ample gestures and precise baton, Sergio Alapont has managed to give the forces of the Orchestre national de Metz Grand Est a Viennese sound of good quality that is ideally suited to this very classy operetta. Rarely will the musicians of Metz play in such a fusional manner: the string sections rustle with the shine of satin, the brass is gleaming in each of their interventions, and, above all, the direction of the Spanish conductor holds the orchestra together and raises it well beyond its usual level.

The finale of the second act, “Bevo al tuo fresco sorriso,” is a model of its kind. Without haste or grandiloquence, Sergio Alapont constructs a musical kaleidoscope whose layers overlap until they culminate in three fermatas that the conductor marks a tempo, provoking eruptive hysteria among the audience and “Bis! Bis!” that unfortunately fell on deaf ears.

At the final curtain, the Metz audience – a large part of whom, no doubt, were discovering La Rondine on stage – enthusiastically greeted this wise and well-sung production, reserving a particularly warm welcome for the Spanish conductor Sergio Alapont, whom we would like to hear again very soon in a work by Richard Strauss.”|
– Nicolas Le Clerre, Première Loge

La bohème by G. Puccini at the Irish National Opera (Nov. 2023)

Finally – and absolutely crucially – Sergio Alapont held everything together in the pit, conducting the orchestra with terrific panache. He eked out every ounce of heart-throbbing passion and rich tonal colours from those romantic swells that punctuate Puccini’s score, although never once did they overpower the singers in this scintillating performance.”
– Andrew Larkin, Bachtrack

La bohème by G. Puccini at the Irish National Opera (2022)

“It’s Sergio Alapont in the pit who really makes the difference, subtly stretching Puccini’s tempos for maximum dramatic effect, finding orchestral details in a familiar score that you had forgotten, or never properly heard, and above all letting his singers lead.”
– Christopher Cook, BBC Music Magazine

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