INTRODUCTION
Cutting a magnetizing figure on the podium, Spanish conductor Sergio Alapont is known for his passionate, compelling, and inspirational conducting and is one of the leading conductors of his generation. In 2016, Alapont won the Best Conductor in Italy Award at GBOSCAR– L’Eccellenza dell’Opera.
RECENT AND FUTURE ENGAGEMENTS
Recent opera highlights include La rondine at the Opéra-Théâtre de l’Eurometropole de Metz, Nabucco at the Teatro de la Maestranza of Seville and the Teatro Real de Madrid, La bohème at Irish National Opera, Carmen at the Teatro Calderon of Valladolid, his US debut conducting La Rondine at Minnesota Opera, a new production of Idomeneo at Opera National du Rhin in Strasbourg, L’heure espagnol and Gianni Schicchi at Opera Lombardia, La Voix Humaine with the European Youth Orchestra «Ferruccio Busoni», Carmen at the Opera de Oviedo, The Merry Widow at the Teatro Filarmonico – Fondazione Arena di Verona, Le nozze di Figaro, Lucia di Lammermoor and Norma at the Teatro Comunale di Treviso, Teatro Comunale di Ferrara, and Teatro Pergolesi di Jesi, Poliuto at the Glyndebourne Festival with the London Philharmonic Orchestra, La forza del destino and Don Pasquale at the Opera de Las Palmas, Don Bucefalo at the Wexford Opera Festival, Il capello di paglia di Firenze at the Maggio Musicale Fiorentino and at the Wexford Opera Festival, and Il Barbiere di Siviglia at the Norwegian National Opera in Oslo.
Maestro Alapont’s recent appointment as Music Director at Orquestra Clássica do Centro in Coimbra takes him to Portugal for a variety of symphonic repertoire throughout the season.
His most recent/future engagements include Carmen at the Teatro Grande di Brescia, Teatro Sociale di Como, Teatro Ponchielli di Cremona, Teatro Fraschini di Pavia, and Teatro Donizetti di Bergamo, Andrea Chénier at the Teatro Municipal de Santiago de Chile, Tchaikovsky’s The Nutcracker at the National Theatre of Opera and Ballet of Albania, and Alexander Nevsky and Symphony No. 5 by Shostakovich at the Teatro Massimo Bellini di Catania.
BIOGRAPHY
Equally strong in opera as he is in symphonic repertoire, Maestro Alapont has conducted many of the leading opera and symphony orchestras of the world, always winning outstanding reviews. Orchestras he has led include many in his own country, and guest engagements have taken him to the London Philharmonic Orchestra, Aalborg Symfoniorkester, Ulster Orchestra, Orchestre National d’Ile de France de París, Orchestre National de Metz Grand Est, Orchestre, Orchestre National des Pays de la Loire, Orchestre Symphonique de Bretagne, Orchestra of The Norwegian National Opera, The Orchestra of the Scottish Opera, RTÉ Concert Orchestra, Arena di Verona, Orchestra Sinfonica della RAI, Maggio Musicale Fiorentino, Teatro San Carlo di Napoli, Poznan’s Teatr Wielki, Spanish Radio Television Symphony Orchestra, Orquesta de la Comunidad Valenciana (Palau de Les Arts), Simfònica de Barcelona i Nacional de Catalunya, Orquesta de Cámara de Bellas Artes in México, and many others. He has conducted the leading artists of our time, including Ermonela Jaho, Kristian Bezuidenhout, Erwin Schrott, Gregory Kunde, Placido Domingo, Juan Pons, Celso Albelo, Anna Pirozzi, Désiree Rancatore, Ainhoa Arteta, Fabio Armiliato, Ewa Plonka, Maximilian Schmidt, Alexander Vinogradov, and Lucio Gallo, to name a few; his recordings are available on the labels of RAI, RTVE, RTÉ Ireland, Euroradio, Signum Classics, Ibs Classical, and Universal Music.
Sergio Alapont’s studies took him to Valencia, Madrid, and Munich before he continued his training at the Conservatoire of Music in Pescara with Donato Renzetti, graduating “Cum Laude”. He also studied with Jorma Panula at the Royal College of Music of Stockholm, Helmuth Rilling at Bachakademie of Stuttgart, and Masaaki Suzuki at Bach Collegium of Japan. Additionally, he had the opportunity to assist Marco Armiliato at the Metropolitan Opera of New York, Semyon Bychkov, Antonio Pappano, Nicola Luisotti, Enrique Mazzola, and Ottavio Dantone.
| OPERA
|
||
|---|---|---|
| Bellini, V. | Adelson e Salvini* | |
| Capuleti e i Montecchi* | ||
| Il pirata* | ||
| La sonnambula* | ||
| La straniera* | ||
| Norma | ||
| Bizet, G. | Carmen | |
| Britten, B. | River Curlew | |
| Cagnoni, A. | Don Bucefalo | |
| Cilea, F. | Adriana Lecouvreur* | |
| Cimarosa, D. | Il maestro di capella | |
| Di Rossi, C. | Il sacrificio di Abramo | |
| Donizetti, G. | Don Pasquale | |
| L’elisir d’amore | ||
| La favorite* | ||
| La fille du régiment | ||
| Lucia di Lammermoor | ||
| Poliuto | ||
| Giordano, U. | Andrea Chénier | |
| Gounod, C. | Faust* | |
| Roméo et Juliette | ||
| Lehar, F. | Die Lustige Witwe | |
| Martin i Soler, V. | Una cosa rara | |
| Mascagni, P. | Cavalleria rusticana | |
| Massenet, J. | Manon* | |
| Mozart, W. | Bastien und Bastienne | |
| Cosi fan tutte | ||
| Die Zauberflöte* | ||
| Don Giovanni | ||
| Idomeneo | ||
| Il re pastore | ||
| Le nozze di Figaro | ||
| Offenbach, J. | Les contes d’Hoffmann* | |
| Orff, C. | Carmina Burana | |
| Pergolesi, G. | Stabat Mater | |
| Puccini, G. | Gianni Schicchi | |
| La bohème | ||
| La rondine | ||
| Madama Butterfly | ||
| Manon Lescaut* | ||
| Suor Angelica* | ||
| Tosca | ||
| Turandot* | ||
| Ravel, M. | L’heure espagnole | |
| Rossini, G. | Il barbiere di Siviglia | |
| La Cenerentola | ||
| Rota, N. | Il cappello di paglia di Firenze | |
| Strauss II, J. | Die Fledermaus* | |
| Verdi, G. | Aida | |
| Attila | ||
| Falstaff | ||
| La forza del destino | ||
| La traviata | ||
| Macbeth | ||
| Nabucco | ||
| Otello | ||
| Rigoletto | ||
| Wagner, R. | Tannhäuser* | |
| Wolf-Ferrari, E. | Sly, ovvero La leggenda del dormiente risvegliato | |
*excerpts
| CONCERT
|
||
|---|---|---|
| Albéniz, I. | Asturias (Orq. Guinovart) | |
| Cádiz (Orq. Guinovart) | ||
| Canciones Italianas | ||
| Castilla (Orq. Guinovart) | ||
| Suite Española “Asturias, Cádiz, Castilla” (orch. Frühbeck de Burgos) | ||
| Bach, J. S. | Brandenburg Concerto No. 4-6 | |
| Barber, S. | Adagio for Strings Op. 11 | |
| Bartók, B. | Concert for Piano and Orchestra No. 3 | |
| Concert for Viola and Orchestra | ||
| Hungarian Sketches | ||
| Beethoven, L. v. | Concerto for piano and orchestra No. 3-5 | |
| Concerto for Violin and Orchestra in D Major Op. 61 | ||
| Die Geschöpfe des Prometheus, Op. 43 – ballet | ||
| “Coriolanus” Overture Op. 62 | ||
| “Egmont” Overture Op. 55 | ||
| Symphonies No. 1–9 | ||
| Two Romances for Violin and Orchestra Op. 40, Op. 50 | ||
| Berlioz, H. | Symphonie Fantastique | |
| Bernstein, L. | Divertimento | |
| Symphonic Dances from West Side Story | ||
| Bizet, G. | Symphony No. 1 in C major | |
| Bolcom, W. | Cabaret Songs | |
| Borodin, A. | In the Steppes of Central Asia | |
| Polovtsian Dances | ||
| Brahms, J. | Hungarian Dances | |
| Serenade No. 2 | ||
| Symphony No. 1 in F Major Op. 68 | ||
| Symphony No. 2 in D Major Op. 73 | ||
| Symphony No. 4 in E minor Op. 98 | ||
| Variations on a theme by Haydn Op. 56A | ||
| Violin Concerto in D major Op. 77 | ||
| Britten, B. | War Requiem | |
| Bruch, M. | Concerto for Violin and Orchestra No. 1 | |
| Bruckner, A. | Symphony No. 4 “Romantic” | |
| Copland, A. | Concerto for Clarinet and Orchestra | |
| Fanfare for the Common Man | ||
| Salon Mexico | ||
| Danzi, F. | Concertino for Clarinet and Bassoon Op. 47 in B Major | |
| de Falla, M. | 7 Canciones populares españolas (Halffter and Berio versions) | |
| El amor brujo (all versions) | ||
| El sombrero de tres picos (complete ballet and Suites Nos. 1 & 2) | ||
| Debussy, C. | Iberia | |
| La Mer | ||
| Dukas, P. | The Sorcerer’s Apprentice | |
| Dvořák, A. | Polonaise (Rusalka) | |
| Serenade for Strings in E Op. 22 | ||
| Slavonic Dances Op. 46 & Op. 72 | ||
| Symphony No. 7 Op. 70 | ||
| Symphony No. 8 Op. 88 | ||
| Symphony No. 9 Op. 95 “From the New World” | ||
| Elgar, E. | Sospiri | |
| Enescu, G. | Rhapsodie Roumaine | |
| Fauré, G. | Pelléas et Mélisande | |
| Requiem | ||
| Franck, C. | Symphony in D Minor Op. 48 | |
| Gershwin, G. | An American in Paris | |
| Cuban Overture | ||
| Rhapsody in Blue | ||
| Giménez, J. | La boda de Luis Alonso “Intermedio” | |
| Glinka, M. | Capriccio brillante | |
| Grieg, E. | Concert for Piano and Orchestra | |
| Holberg Suite for Strings Op. 40 | ||
| Peer Gynt | ||
| Granados, E. | Goyescas – Intermedio | |
| Haydn, J. | Concert No. 2 in D major for cello and orchestra | |
| Ouverture in Italian style | ||
| Symphonies No. 83, 88, 97, 101, 102, 103, 104 | ||
| The Last Seven Words of Christ on the Cross | ||
| Hindemith, P. | Marienleben (six lieder) | |
| Symphonic Metamorphoses on Themes of Carl Maria von Weber | ||
| Hoffmeister, F. A. | Concerto for Viola and Orchestra in D major | |
| Janáček, L. | Suite for String Orchestra | |
| Kachaturian, A. | Suite Gayaneh | |
| García Lorca, F. | Canciones españolas antiguas (arr. Gasull, Vidal, Amargós and Freitag) | |
| Rimsky-Korsakov, N. | Capriccio espagnol | |
| Martucci, G. | Notturno Op. 70 | |
| Mahler, G. | Blumine | |
| Das Lied von der Erde | ||
| Lieder eines fahrenden Gesellen | ||
| Symphony No. 1 “The Titan” | ||
| Symphony No. 4, 5, 7, 9 | ||
| Marquez, A. | Conga del fuego nuevo | |
| Danzón No. 2 | ||
| Martin, F. | Ballade for Flute and Orchestra (orch. Ernest Ensermet) | |
| Mendelssohn, F. | Concerto for Violin and Orchestra in E Minor Op. 64 | |
| Concerto for Violin and Strings in D minor | ||
| “The Hebrides” Overture Op. 26 | ||
| Symphony No. 1 in C Op. 11 | ||
| Symphony No. 2 Op. 52 “Lobgesang” | ||
| Symphony No. 3 “Scottish” | ||
| Symphony No. 4 “Italian” | ||
| Mozart, W. A. | Concert for Horn and Orchestra No. 4 KV 495 | |
| Concert for Violin and Orchestra No. 5 KV 219 | ||
| Concert in C Major for Flute and Harp KV 299 | ||
| Concert No. 9 for Piano and Orchestra KV 271 | ||
| Concert No. 21 for Piano and Orchestra KV 467 | ||
| Concert No. 22 for Piano and Orchestra KV 482 | ||
| Concert No. 25 for Piano and Orchestra KV 503 | ||
| Coronation Mass in C Major KV 317 | ||
| Eine Kleine Nachtmusik | ||
| Serenade No. 12 KV 388 | ||
| Symphony No. 29 in A Major KIV 201 | ||
| Symphony No. 36 in C Major “Linz” KV 425 | ||
| Symphony No. 38 in D “Prague” KV 504 | ||
| Symphony No. 39 KV 543 | ||
| Symphony No. 40 KV 550 | ||
| Mussorgsky, M. | A Night on the Bare Mountain | |
| Pictures at an Exhibition | ||
| Offenbach, J. | Grand Concerto for Cello and Orchestra in G Major | |
| Orff, C. | Carmina Burana | |
| Pärt, A. | Fratres for Violin and Orchestra | |
| Poulenc, F. | Hoops – ballet | |
| Sinfonietta | ||
| Prokofiev, S. | Concert for Piano and Orchestra No. 3 | |
| Concert for Violin and Orchestra No. 2 | ||
| Peter and the Wolf Op. 67 | ||
| Puccini, G. | Crisantemi | |
| Rachmaninov, S. | Concert for Piano and Orchestra No. 2 | |
| Concert for Piano and Orchestra No. 3 | ||
| Symphony No. 2 | ||
| Symphony No. 3 | ||
| Ravel, M. | Bolero | |
| Daphnis et Chloé – Suite No. 2 | ||
| Le Tombeau de Couperin | ||
| Ma mère l’Oye | ||
| Rapsodie espagnole | ||
| Respighi, O. | Pini di Roma | |
| Revueltas, S. | Sensemayá | |
| Rodrigo, J. | Concierto de Aranjuez (guitar and harp versions) | |
| Fantasia para un gentilhombre (guitar and flute versions) | ||
| Per la flor del lliri blau (tone poem) | ||
| Tríptic de Mossèn Cinto | ||
| Saint-Saëns, C. | Bacchanale from Samson et Dalila | |
| Oratorio de Noël Op. 12 | ||
| Sarasate, P. | Carmen Fantaisie for Violin and Orchestra (also flute version) | |
| Romance andalouse | ||
| Shchedrin, R. / Bizet, G. | Carmen Suite | |
| Schoenberg, A. | Brettl-Lieder | |
| Chamber Symphony No. 1 | ||
| Shostakovich, D. | Concert for Violin and Orchestra No. 2 | |
| Festive Overture | ||
| Symphony No. 5 | ||
| Symphony No. 7 “Leningrad” | ||
| Symphony No. 12 | ||
| Schubert, F. | “Du bist die Ruh” | |
| Symphony No. 4 in C minor D 417 “Tragic” | ||
| Symphony No. 5 in B-flat Major D 485 | ||
| Symphony No. 8 in B minor D 759 “Unfinished” | ||
| Schumann, R. | Concert for Piano and Orchestra in A minor Op. 54 | |
| Symphony No. 2 Op. 61 | ||
| Symphony No. 3 in E Flat Major Op. 97 “Rhenish” | ||
| Symphony No. 4 in D minor Op. 120 | ||
| Smetana, B. | Die Moldau | |
| The Bartered Bride | ||
| Strauss II, J. | An der schönen blauen Donau Walzer Op. 314 | |
| Annen-Polka Op. 117 | ||
| Eljen a Magyar! | ||
| Emperor Waltz Op. 437 | ||
| Fruhlingsstimmen | ||
| Im Krapfenwaldl | ||
| Künstler-Quadrille Op. 201 | ||
| Persischer Marsch Op. 289 | ||
| Tik-Tak – Polka schnell | ||
| Tritsch-Tratsch-Polka Op. 214 | ||
| Unter Donner und Blitz | ||
| Strauss, R. | Don Juan | |
| Eine Alpensinfonie | ||
| Till Eulenspiegel | ||
| Tod und Verklärung | ||
| Stravinsky, I. | Danses concertantes | |
| Dumbarton Oaks | ||
| Le Chant du Rossignol | ||
| Pulcinella – original version and orchestral suite | ||
| The Firebird – Suite 1919 | ||
| Suppé, F. von | Ein Morgen, ein Mittag und ein Abend in Wien | |
| Tchaikovsky, P. I. | 1812 Ouverture | |
| Concerto for Piano and Orchestra No. 1 | ||
| Marche Slave Op. 31 | ||
| Nutcracker – full ballet | ||
| Polonaise (Onegin) | ||
| Rococo Variations for Cello and Orchestra | ||
| Romeo and Juliet – Fantasy Overture | ||
| Serenade in C Major Op. 48 for String Orchestra | ||
| Suite No. 3 | ||
| Symphony No. 5 in E Minor Op. 64 | ||
| Turina, J. | Danzas fantásticas | |
| Sinfonía sevillana | ||
| Villa-Lobos, H. | Concert for Guitar and Orchestra | |
| Vivaldi, A. | Concerto “per l’orchestra di Dresda” in G minor RV 577 | |
| Gloria RV 589 | ||
| Sinfonia del “Santo Sepolcro” | ||
| Webern, A. | Langsamer Satz | |
| Williams, J. | Three Pieces from Schindler’s List for Violin and Orchestra | |
VIDEO
Sergio Alapont – ‘Carmen’ by G. Bizet at Teatro Grande di Brescia (Sept. 2025)
Sergio Alapont – ‘La bohème’ by G. Puccini at the Irish National Opera (2023)
Sergio Alapont – ‘Nabucco’ by G. Verdi at Teatro Real (2023)
Sergio Alapont – ‘Till Eulenspiegel Op. 28’ by R. Strauss
w. the ORTVE at Teatro Monumental de Madrid (2024)
REVIEWS
La rondine by R. Strauss at the Opéra-Théâtre de Metz (Oct. 2024)
La bohème by G. Puccini at the Irish National Opera (Nov. 2023)
La bohème by G. Puccini at the Irish National Opera (2022)














