INTRODUCTION
Maestro Kevin Rhodes has been a presence in the world’s musical capitols for over three decades leading performances at some of the most prestigious institutions including La Scala of Milan, The Vienna State Opera, The Paris Opera, The Rome Opera, The Berlin State Opera, The Bavarian State Opera, The Norwegian National Opera and Ballet, The Dutch National Ballet, The Korean National Ballet, The Slovenian National Opera and Ballet, The Slovak National Opera and Ballet, The Deutsche Oper am Rhein, among many others. Equally at home in opera, concert, and ballet, Mr. Rhodes has distinguished himself with an exceptionally large and varied repertoire, having conducted over 60 orchestras in more than 20 countries.
RECENT AND FUTURE ENGAGEMENTS
During the 2024/25 season, Rhodes returned to the Opera House of Rome, Italy, the National Opera of Paris, the Slovenian National Opera, and the Norwegian National Opera and Ballet, conducting such diverse works as The Rite of Spring, La bohéme, The Sleeping Beauty, La traviata, and many others. His 19 performances of Manuel Legris’ production of Delibes’ Sylvia at the Opéra National de Paris marked the third house following Vienna and Milan in which this production has played, with Rhodes having led all performances since its 2018 premiere in Vienna.
The culmination of the 2024/25 season was an internationally acclaimed co-production between the opera houses of Trieste (Teatro Lirico di Giuseppe Verdi Trieste) and Bologna (Teatro Comunale di Bologna) of Leonard Bernstein’s landmark operetta, Candide. For this unique production, he collaborated with Director and Choreographer, Renato Zanella, celebrating a 30-year anniversary of artistic work.
Back in the US in addition to leading the regular orchestra concerts of the Traverse City Philharmonic, he also returned to his roots as a pianist, and performed as piano recitalist in a concert to open the new facility that organization inaugurated in the fall of ‘24 featuring music of Rachmaninoff, Chopin, Liszt, Mozart, and Poulenc and appeared again later in a duo program with piano and flute with music of Prokofiev, Reinecke, Martin, and others.
The 2025/26 season sees Rhodes returning to La Scala of Milan (The Sleeping Beauty ballet and Gala Fracci), the Slovakian National Opera and Ballet (Prokofiev’s Romeo and Juliet and concerts), and the Norwegian National Opera and Ballet (The Nutcracker and a “triple bill” program), as well as leading his Traverse City Philharmonic in a season including Beethoven’s Symphony No. 5, Holst’s The Planets, Bernstein’s Symphony No. 2, Brahms’ Requiem, Dvořák’s New World Symphony and many staples of the concert literature.
BIOGRAPHY
Currently in his 25th season as Music and Artistic Director of the Traverse Symphony Philharmonic in Michigan, Maestro Kevin Rhodes has also served as Chief Conductor of the Slovak National Theater in Bratislava, Principal Ballet Conductor of the Vienna State Opera, Music Director of the Springfield Symphony Orchestra in MA for a record 20 years, and Principal Conductor of the Pro Arte Chamber Orchestra of Boston.
Rhodes is one of the most sought-after conductors by the world’s major ballet companies and their orchestras. His work at many of those illustrious opera houses has been seen and heard throughout Europe in many televised appearances and all over the world with the introduction of cinema performances, in addition to a number of productions having been filmed for DVD.
The 2023/24 season included four productions at the Slovenian National Theater in Ljubljana, including La bohème and The Rite of Spring. He made his debut at the Bavarian State Opera in Munich, and later in the season, he joined that company on tour in Madrid, Spain, for Patrice Bart’s La Bayadére. Notices for this revival were exceptional, calling his interpretation revelatory in bringing out nuances, colors, and details never before heard in this 28-year-old production. He once again returned to Teatro alla Scala for the much heralded production of Nureyev’s La Bayadére and toured with the company in Swan Lake to Cagliari, Italy. Return engagements in Oslo and Rome rounded out his theatrical season, while Rhodes made his concert debut with the orchestra of Trieste in concert in September 2023 in a program of Rachmaninoff and Tchaikovsky, which led to the 2025 Candide production.
The 2022/23 season was an especially active one for Rhodes as he led over a hundred performances throughout Europe of varying productions including Aida, Carmen, Turandot, Rusalka, Das Lied von der Erde, Swan Lake, Giselle, Berg’s Violin Concerto, La Bayadére and others in Rome, Bratislava, Milan, Ljubljana, Oslo, in addition to leading his 22nd season as Music Director/Artistic Director of the Traverse Symphony Orchestra in Michigan, USA.
Kevin Rhodes began his European career as a house conductor at the Basel Stadttheater in Basel, Switzerland. After Basel, he moved on to the Deutsche Oper am Rhein in Düsseldorf/Duisburg, Germany as a First Kappelmeister, leading hundreds of performances of the standard operatic repertoire from The Magic Flute to Der Rosenkavelier, while at the same time serving as the principal ballet conductor of the Vienna State Opera which followed a very successful debut season there with Nutcracker and Romeo and Juliet. Further engagements followed at many other opera houses and orchestras throughout the continent…Berlin, Wiesbaden, Heidelberg, Naples, Verona, Milan, Paris, Stuttgart, etc.
In 2001 Rhodes took over the leadership of the Springfield Symphony Orchestra in Massachusetts and the at that time named Traverse Symphony Orchestra in Michigan. He devoted himself to the building of those two ensembles as well as attending to the many outreach and education activities of those institutions. Under his leadership, those ensembles and audiences experienced tremendous growth and enthusiasm for classical music. His tenure in Springfield was a landmark 20 years, and he continues with the Traverse Symphony with a contract extending his leadership to 30 seasons. With the start of the 2010-2011 season, Rhodes began working as Principal Conductor of the Pro Arte Chamber Orchestra of Boston and has been invigorating that ensemble with his trademark energy. Maestro Rhodes has also guest-conducted the Houston Symphony, the Jacksonville Symphony (FL), the Canton Symphony (OH), the Queens Symphony (NJ), and many more.
Rhodes began his professional conducting career at the age of 16 in his hometown of Evansville, Indiana. He received his BM in Piano Performance from Michigan State University, where he studied conducting with Maestro Leon Gregorian, and earned his MM in Orchestral Conducting at the University of Illinois under the tutelage of Paul Vermel.
| BALLET
|
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|---|---|---|
| Adam, A. | Giselle | |
| Bach, J.S. | Le jeune homme et la mort (Passacaglia und Fugue C minor) | |
| Suite No. 3 | ||
| Bartok, B. | The Miraculous Mandarin | |
| The Wooden Prince | ||
| Beethoven, L. v. | Piano Concerto No. 5 | |
| Symphony No. 7 | ||
| Berlioz, H. | Romeo and Juliet | |
| Bizet, G. | L’Arlésienne | |
| Brahms, J. / Schoenberg, A. | Quartet | |
| Chopin, F. | The Concert | |
| Lady of the Camellias | ||
| Danielpour, R. | Urban Dances | |
| Debussy, C. | La mer | |
| Prélude à l’Après-midi d’un faune | ||
| Delibes, L. | Coppélia | |
| Sylvia | ||
| Fauré, G. | Pelléas et Mélisande (Emeralds from Jewels) | |
| Glazounov, A. | Raymonda | |
| Hertel, P. / Lanchbery, J. | La fille mal gardée | |
| Jarre, M. | Notre Dame de Paris | |
| Lalo, É. | Suite en blanc | |
| Lehár, F. | Lustige Witwe (ballet version) | |
| Liszt, F. | Marguerite et Armand | |
| Mahler, G. | Lied von der Erde | |
| Symphony No. 10 | ||
| Massenet, J. | Manon | |
| Mendelssohn, F. | A Midsummer Night’s Dream | |
| Minkus, L. | La Bayadère | |
| Don Quixote | ||
| Mozart, W.A. | Wolfgang Amadé | |
| Orff, C. | Carmina Burana | |
| Prokofiev, S. | Cinderella | |
| Romeo and Juliet | ||
| Ravel, M. | Bolero | |
| Daphnis et Chloé | ||
| La Valse / Valse nobles et sentimentale | ||
| Respighi, O. | La bottega fantastica | |
| Schneitzhoffer, J.-M. | La Sylphide | |
| Shostakovich, D. | Symphony No. 4 | |
| Symphony No. 5 | ||
| Symphony No. 8 | ||
| Symphony No. 10 | ||
| Strauss, J. II | Die Fledermaus (ballet version) | |
| Stravinsky, I. | Apollo | |
| Capriccio (Rubies from Jewels) | ||
| Firebird | ||
| L’histoire du soldat | ||
| Petrouschka | ||
| The Rite of Spring | ||
| Scherzo à la russe | ||
| Violin Concerto | ||
| Tchaikovsky, P.I. | The Nutcracker | |
| Pas de Deux | ||
| Piano Concerto No. 3 | ||
| Serenade | ||
| The Sleeping Beauty | ||
| Swan Lake | ||
| Symphony No. 3 (Diamonds from Jewels) | ||
| Theme and Variations | ||
| OPERA
|
||
|---|---|---|
| Bizet, G. | Carmen | |
| Donizetti, G. | Lucia di Lammermoor | |
| Dvořák, A. | Rusalka | |
| Humperdinck, E. | Hänsel und Gretel | |
| Lehár, F. | Die lustige Witwe | |
| Massenet, J. | Manon | |
| Mozart, W.A. | Così fan tutte | |
| Die Zauberflöte | ||
| Le nozze di Figaro | ||
| Offenbach, J. | Les contes d’Hoffmann | |
| Orphée aux Enfers | ||
| Puccini, G. | La bohème | |
| Tosca | ||
| Turandot | ||
| Rossini, G. | Il barbiere di Siviglia | |
| Smetana, B. | Die verkaufte Braut | |
| Strauss, J. | Die Fledermaus | |
| Strauss, R. | Der Rosenkavalier | |
| Die Frau ohne Schatten | ||
| Salome | ||
| Verdi, G. | Aida | |
| Il trovatore | ||
| Rigoletto | ||
| Wagner, R. | Tannhäuser | |
| SYMPHONIC REPERTOIRE
|
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|---|---|---|
| Bach, J.S. | Brandenburg Concerto No. 1 | |
| Brandenburg Concerto No. 3 | ||
| Brandenburg Concerto No. 4 | ||
| Piano Concerto D minor | ||
| Bach, P.D.Q. | Concerto for Simply Grand Piano and Orchestra | |
| Barber, S. | Adagio for Strings | |
| Essay No. 1 – 2 | ||
| Medea | ||
| Piano Concerto | ||
| Two Scenes from Antony and Cleopatra | ||
| Violin Concerto | ||
| Beach, A. | “Bal Masque” | |
| Bartók, B. | Concerto for Orchestra | |
| The Miraculous Mandarin | ||
| Piano Concerto No. 3 | ||
| The Wooden Prince | ||
| Beethoven, L. v. | Choral Fantasy | |
| Christ on the Mount of Olives | ||
| Coriolanus Overture | ||
| Egmont Overture | ||
| Fidelio Overture | ||
| Leonore Overture No. 1 | ||
| Leonore Overture No. 3 | ||
| Piano Concerto No. 1–5 | ||
| Symphony No. 1–9 | ||
| Symphony No. 10 (completion by Cooper) | ||
| Triple Concerto for Violin, Cello, and Piano | ||
| Violin Concerto | ||
| Berg, A. | Violin Concerto | |
| Berlioz, H. | Cléopâtre | |
| Le Corsaire Overture | ||
| Roman Carnival Overture | ||
| Roméo et Juliette | ||
| Symphonie fantastique | ||
| Three Scenes from “The Damnation of Faust” | ||
| Bernstein, L. | Candide Overture | |
| Chichester Psalms | ||
| Serenade for Violin, Percussion and Strings | ||
| Symphonic Dances from “West Side Story” | ||
| Symphony No. 1 “Jeremiah” | ||
| Symphony No. 2 “The Age of Anxiety” | ||
| Three Dance Episodes from “On the Town” | ||
| Bizet, G. | L’Arlésienne Suites 1 & 2 | |
| Symphony in C | ||
| Bolcom, W. | Commedia for (almost) 18th Century Orchestra | |
| Prometheus for chorus, piano, and orchestra | ||
| Borodin, A. | In the Steppes of Central Asia | |
| Nocturne | ||
| Polovtsian Dances from Prince Igor | ||
| Prince Igor Overture | ||
| Brahms, J. | Academic Festival Overture | |
| Double Concerto for Violin and Cello | ||
| Ein deutsches Requiem | ||
| Piano Concerto No. 1–2 | ||
| Piano Quartet – Schoenberg Orchestration | ||
| Symphony No. 1–4 | ||
| Tragic Overture | ||
| Variations on a Theme by Haydn | ||
| Violin Concerto | ||
| Bruch, M. | Scottish Fantasy | |
| Bruckner, A. | Symphony No. 4 | |
| Symphony No. 6–7 | ||
| Bunch, J. | Piano Concerto | |
| Chadwick, G.W. | Melpomene Dramatic Overture | |
| Chopin, F. | Piano Concerto No. 1–2 | |
| Copland, A. | Appalachian Spring | |
| Clarinet Concerto | ||
| Fanfare for the Common Man | ||
| A Lincoln Portrait | ||
| Music for the Theatre | ||
| Quiet City | ||
| Rodeo Suite | ||
| Symphony No. 3 | ||
| Corigliano, J. | “To Music” | |
| Danielpour, R. | Urban Dances | |
| Debussy, C. | Iberia | |
| La Mer | ||
| Prélude à l’après-midi d’un faune | ||
| Delibes, L. | Coppélia | |
| “Sylvia” | ||
| Donizetti, G. | Roberto Devereux Overture | |
| Dukas, P. | La Péri | |
| The Sorcerer’s Apprentice | ||
| Duparc, H. | Aux étoiles | |
| Dvořák, A. | Carnival Overture | |
| Cello Concerto | ||
| Piano Concerto | ||
| Symphony No. 7–9 | ||
| Elgar, E. | Cello Concerto | |
| Falla, M. de | El amor brujo | |
| Nights in the Gardens of Spain | ||
| Three-Cornered Hat Suite No. 1 | ||
| Fauré, G. | Requiem | |
| Franck, C. | The Accursed Huntsman | |
| Symphony in D minor | ||
| Fuchs, K. | Piano Concerto – Spiritualist | |
| Gershwin, G. | An American in Paris | |
| Cuban Overture | ||
| Girl Crazy Overture | ||
| “I Got Rhythm” Variations | ||
| Piano Concerto in F | ||
| Porgy and Bess Concert Suite – Litton | ||
| Rhapsody in Blue | ||
| Second Rhapsody for Piano and Orchestra | ||
| Glinka, M. | Russlan und Ludmilla | |
| Gregson, E. | Trumpet Concerto | |
| Grieg, E. | Holberg Suite | |
| Peer Gynt Suites 1 & 2 | ||
| Piano Concerto | ||
| Griffes, C.T. | The Pleasure Dome of Kubla Khan | |
| Handel, G.F. | Messiah | |
| Music for the Royal Fireworks | ||
| Water Music | ||
| Hansen, T. | Dances of Two Worlds | |
| Harbison, J. | Gatsby Fox Trot | |
| Harris, R. | Symphony No. 3 | |
| When Johnny Comes Marching Home – An American Overture | ||
| Haydn, J. | Concerto for Trumpet | |
| Mass No. 10 in C – “Mass in Time of War” | ||
| Symphony No. 94 | ||
| Symphony No. 104 | ||
| Higdon, J. | “Blue Cathedral” | |
| Hindemith, P. | Symphonic Metamorphosis on Themes of Carl Maria von Weber | |
| Holst, G. | The Planets | |
| Honegger, A. | King David | |
| Pastoral d’été | ||
| Hovhaness, A. | Guitar Concerto | |
| Prayer of St. Gregory | ||
| Hummel, J.N. | Trumpet Concerto E-flat major | |
| Ibert, J. | Divertissement | |
| Hommage à Mozart | ||
| Paris | ||
| Ives, C. | The Unanswered Question | |
| James, K. | Piano Concerto | |
| Khachaturian, A. | Piano Concerto | |
| Sabre Dance | ||
| Violin/Flute Concerto | ||
| Larsen, L. | “Beauty Alone” | |
| Liebermann, L. | Piano Concerto No. 3 | |
| Liszt, F. | Faust Symphony | |
| Festklänge | ||
| Les Préludes | ||
| Piano Concertos – Nos. 1 & 2 | ||
| Prometheus | ||
| Macchia, R. | Overtura Rocambulesca | |
| Mahler, G. | Das Lied von der Erde | |
| Lieder eines fahrenden Gesellen | ||
| Symphony No. 1 | ||
| Symphony No. 2 “Resurrection” | ||
| Symphony No. 5 | ||
| Symphony No. 10 | ||
| Mansurian, T. | Double Concerto for Violin and Cello | |
| Massenet, J. | Last Sleep of the Virgin | |
| Mendelssohn, F. | A Midsummer Night’s Dream | |
| Die Hebriden Overture | ||
| Symphony No. 3 | ||
| Symphony No. 4 “Italian” | ||
| Symphony No. 4 “Italian” (2nd version) | ||
| Violin Concerto | ||
| Menin, P. | Concertato “Moby Dick” | |
| Milhaud, D. | “Le boeuf sur le toit” | |
| Mozart, W.A. | Adagio and Fugue for Strings | |
| Ave verum corpus | ||
| Concerto for Two Pianos | ||
| Great Mass in C minor | ||
| Les petits riens | ||
| Piano Concerto No. 19–21 | ||
| Piano Concerto No. 25 | ||
| Requiem | ||
| Sinfonia Concertante for 4 solo winds and orchestra | ||
| Symphony No. 15 | ||
| Symphony No. 25 | ||
| Symphony No. 29 | ||
| Symphony No. 31 | ||
| Symphony No. 36 | ||
| Symphony No. 38 | ||
| Symphony No. 39–41 | ||
| Violin Concerto No. 3 | ||
| Mussorgsky, M. | Night on Bald Mountain (original version) | |
| Night on Bald Mountain – Rimsky-Korsakov | ||
| Pictures at an Exhibition (orch. Ravel) | ||
| Nielsen, C. | Symphony No. 2 “The Four Temperaments” | |
| Symphony No. 3 “Sinfonia espansiva” | ||
| Orff, C. | Carmina Burana | |
| Pärt, A. | Fratres | |
| Piston, W. | Symphony No. 4 | |
| Poulenc, F. | Aubade for Piano and 18 Instruments | |
| Gloria for Chorus | ||
| Prokofiev, S. | Alexander Nevsky | |
| Cinderella | ||
| Piano Concerto No. 1 | ||
| Piano Concerto No. 3 | ||
| Romeo and Juliet | ||
| Symphony No. 1 “Classical” | ||
| Symphony No. 5 | ||
| Violin Concerto No. 2 | ||
| Rachmaninoff, S. | Isle of the Dead | |
| Piano Concerto No. 1–4 | ||
| Rhapsody on a Theme of Paganini | ||
| Symphonic Dances | ||
| Symphony No. 1–3 | ||
| Ravel, M. | Alborada del gracioso | |
| Boléro | ||
| Daphnis et Chloé | ||
| La Valse | ||
| Le Tombeau de Couperin | ||
| Piano Concerto | ||
| Tzigane | ||
| Valses nobles et sentimentales | ||
| Read Thomas, A. | Prayer and Celebration | |
| Respighi, O. | Ancient Airs and Dances Suite No. 3 | |
| The Birds | ||
| La Boutique fantasque | ||
| Botticelli Triptych | ||
| Church Windows | ||
| The Pines of Rome | ||
| Revueltas, C. | Sensemayá | |
| Rimsky-Korsakov, N. | Capriccio espagnol | |
| Russian Easter Overture | ||
| Scheherazade | ||
| Symphony No. 2 “Antar” | ||
| Rodrigo, J. | Guitar Concerto | |
| Rossini, G. | Barber of Seville Overture | |
| L’italiana in Algeri Overture | ||
| La Semiramide Overture | ||
| The Silken Ladder Overture | ||
| Thieving Magpie Overture | ||
| William Tell Overture | ||
| Rózsa, M. | Double Concerto | |
| Saint-Saëns, C. | Carnival of the Animals | |
| La Jeunesse d’Hercule | ||
| Piano Concerto No. 2 | ||
| Symphony No. 3 “Organ” | ||
| Schoenberg, A. | Chamber Symphony No. 2 | |
| Go! | ||
| Verklärte Nacht | ||
| Schubert, F. | Death and the Maiden (for string orchestra by G. Mahler) | |
| Mass in G | ||
| Symphony No. 5 | ||
| Symphony No. 8 “Unfinished” | ||
| Schuman, W. | American Festival Overture | |
| Judith – Choreographic Essay for Orchestra | ||
| New England Triptych | ||
| Night Journey | ||
| Prayer in a Time of War | ||
| Symphony No. 3 | ||
| Symphony No. 5 | ||
| Schumann, R. | Symphony No. 1 “Spring” | |
| Symphony No. 2 | ||
| Symphony No. 4 | ||
| Schwantner, J. | New Morning for the World | |
| Shostakovich, D. | Festive Overture | |
| Symphony No. 5 | ||
| Sibelius, J. | Finlandia | |
| Lemminkäinen Suite – Four Legends from the Kalevala | ||
| Symphony No. 1–2 | ||
| Symphony No. 5 | ||
| Violin Concerto | ||
| Smetana, B. | The Moldau | |
| Stafylakis, S. | Brittle Fracture | |
| Strauss, J. | Blue Danube Waltz | |
| Emperor Waltz | ||
| Pizzicato Polka | ||
| Voices of Spring Waltz | ||
| Strauss, R. | Also sprach Zarathustra | |
| Don Juan | ||
| Don Quixote | ||
| Le Bourgeois Gentilhomme | ||
| Tod und Verklärung | ||
| Stravinsky, I. | Capriccio for Piano and Orchestra | |
| L’Histoire du soldat | ||
| Petrouschka | ||
| Pulcinella | ||
| Le Sacre du Printemps | ||
| Violin Concerto | ||
| Tchaikovsky, P.I. | Festival Coronation March | |
| Piano Concerto No. 1–3 | ||
| Serenade for Strings | ||
| Suite No. 4 “Mozartiana” | ||
| Symphony No. 1–6 | ||
| The Tempest | ||
| Variations on a Rococo Theme | ||
| Violin Concerto | ||
| Tower, J. | “Fanfare for the Uncommon Woman No. 6” | |
| Sequoia | ||
| Verdi, G. | La forza del destino Overture | |
| Nabucco Overture | ||
| Vivaldi, A. | Concerto for Two Trumpets | |
| The Four Seasons | ||
| Wagner, R. | Brünnhilde’s Immolation Scene | |
| Entrance of the Gods into Valhalla | ||
| Magic Fire Music | ||
| Ride of the Valkyries | ||
| Siegfried Idyll | ||
| Siegfried’s Funeral March | ||
| Siegfried’s Rhine Journey | ||
| Tristan und Isolde – Prelude und Liebestod | ||
| Zwilich, E. | “Rituals” for 5 Percussion and Orchestra | |
VIDEO
‘Candide’ by L. Bernstein at the Teatro Comunale di Bologna (conducted by Kevin Rhodes, directed by Renato Zanella) – 2025
REVIEWS
Candide by L. Bernstein at Teatro Comunale di Bologna (Jul. 2025) and Teatro Lirico Giuseppe Verdi di Trieste (Jun. 2025)
Sylvia (ballet) by L. Delibes at Opéra national de Paris (May 2025)
Raymonda (ballet by Rudolf Nureyev) at the Vienna State Opera (Mar. 2018)














