INTRODUCTION

Maestro Kevin Rhodes has been a presence in the world’s musical capitols for over three decades leading performances at some of the most prestigious institutions including La Scala of Milan, The Vienna State Opera, The Paris Opera, The Rome Opera, The Berlin State Opera, The Bavarian State Opera, The Norwegian National Opera and Ballet, The Dutch National Ballet, The Korean National Ballet, The Slovenian National Opera and Ballet, The Slovak National Opera and Ballet, The Deutsche Oper am Rhein, among many others. Equally at home in opera, concert, and ballet, Mr. Rhodes has distinguished himself with an exceptionally large and varied repertoire, having conducted over 60 orchestras in more than 20 countries.

RECENT AND FUTURE ENGAGEMENTS

During the 2024/25 season, Rhodes returned to the Opera House of Rome, Italy, the National Opera of Paris, the Slovenian National Opera, and the Norwegian National Opera and Ballet, conducting such diverse works as The Rite of Spring, La bohéme, The Sleeping Beauty, La traviata, and many others. His 19 performances of Manuel Legris’ production of Delibes’ Sylvia at the Opéra National de Paris marked the third house following Vienna and Milan in which this production has played, with Rhodes having led all performances since its 2018 premiere in Vienna.

The culmination of the 2024/25 season was an internationally acclaimed co-production between the opera houses of Trieste (Teatro Lirico di Giuseppe Verdi Trieste) and Bologna (Teatro Comunale di Bologna) of Leonard Bernstein’s landmark operetta, Candide. For this unique production, he collaborated with Director and Choreographer, Renato Zanella, celebrating a 30-year anniversary of artistic work.

Back in the US in addition to leading the regular orchestra concerts of the Traverse City Philharmonic, he also returned to his roots as a pianist, and performed as piano recitalist in a concert to open the new facility that organization inaugurated in the fall of ‘24 featuring music of Rachmaninoff, Chopin, Liszt, Mozart, and Poulenc and appeared again later in a duo program with piano and flute with music of Prokofiev, Reinecke, Martin, and others.

The 2025/26 season sees Rhodes returning to La Scala of Milan (The Sleeping Beauty ballet and Gala Fracci), the Slovakian National Opera and Ballet (Prokofiev’s Romeo and Juliet and concerts), and the Norwegian National Opera and Ballet (The Nutcracker and a “triple bill” program), as well as leading his Traverse City Philharmonic in a season including Beethoven’s Symphony No. 5, Holst’s The Planets, Bernstein’s Symphony No. 2, Brahms’ Requiem, Dvořák’s New World Symphony and many staples of the concert literature.

BIOGRAPHY

Currently in his 25th season as Music and Artistic Director of the Traverse Symphony Philharmonic in Michigan, Maestro Kevin Rhodes has also served as Chief Conductor of the Slovak National Theater in Bratislava, Principal Ballet Conductor of the Vienna State Opera, Music Director of the Springfield Symphony Orchestra in MA for a record 20 years, and Principal Conductor of the Pro Arte Chamber Orchestra of Boston.

Rhodes is one of the most sought-after conductors by the world’s major ballet companies and their orchestras. His work at many of those illustrious opera houses has been seen and heard throughout Europe in many televised appearances and all over the world with the introduction of cinema performances, in addition to a number of productions having been filmed for DVD.

The 2023/24 season included four productions at the Slovenian National Theater in Ljubljana, including La bohème and The Rite of Spring. He made his debut at the Bavarian State Opera in Munich, and later in the season, he joined that company on tour in Madrid, Spain, for Patrice Bart’s La Bayadére. Notices for this revival were exceptional, calling his interpretation revelatory in bringing out nuances, colors, and details never before heard in this 28-year-old production. He once again returned to Teatro alla Scala for the much heralded production of Nureyev’s La Bayadére and toured with the company in Swan Lake to Cagliari, Italy. Return engagements in Oslo and Rome rounded out his theatrical season, while Rhodes made his concert debut with the orchestra of Trieste in concert in September 2023 in a program of Rachmaninoff and Tchaikovsky, which led to the 2025 Candide production.

The 2022/23 season was an especially active one for Rhodes as he led over a hundred performances throughout Europe of varying productions including Aida, Carmen, Turandot, Rusalka, Das Lied von der Erde, Swan Lake, Giselle, Berg’s Violin Concerto, La Bayadére and others in Rome, Bratislava, Milan, Ljubljana, Oslo, in addition to leading his 22nd season as Music Director/Artistic Director of the Traverse Symphony Orchestra in Michigan, USA.

Kevin Rhodes began his European career as a house conductor at the Basel Stadttheater in Basel, Switzerland. After Basel, he moved on to the Deutsche Oper am Rhein in Düsseldorf/Duisburg, Germany as a First Kappelmeister, leading hundreds of performances of the standard operatic repertoire from The Magic Flute to Der Rosenkavelier, while at the same time serving as the principal ballet conductor of the Vienna State Opera which followed a very successful debut season there with Nutcracker and Romeo and Juliet. Further engagements followed at many other opera houses and orchestras throughout the continent…Berlin, Wiesbaden, Heidelberg, Naples, Verona, Milan, Paris, Stuttgart, etc.

In 2001 Rhodes took over the leadership of the Springfield Symphony Orchestra in Massachusetts and the at that time named Traverse Symphony Orchestra in Michigan. He devoted himself to the building of those two ensembles as well as attending to the many outreach and education activities of those institutions. Under his leadership, those ensembles and audiences experienced tremendous growth and enthusiasm for classical music. His tenure in Springfield was a landmark 20 years, and he continues with the Traverse Symphony with a contract extending his leadership to 30 seasons. With the start of the 2010-2011 season, Rhodes began working as Principal Conductor of the Pro Arte Chamber Orchestra of Boston and has been invigorating that ensemble with his trademark energy. Maestro Rhodes has also guest-conducted the Houston Symphony, the Jacksonville Symphony (FL), the Canton Symphony (OH), the Queens Symphony (NJ), and many more.

Rhodes began his professional conducting career at the age of 16 in his hometown of Evansville, Indiana. He received his BM in Piano Performance from Michigan State University, where he studied conducting with Maestro Leon Gregorian, and earned his MM in Orchestral Conducting at the University of Illinois under the tutelage of Paul Vermel.

BALLET

 

Adam, A. Giselle
Bach, J.S. Le jeune homme et la mort (Passacaglia und Fugue C minor)
Suite No. 3
Bartok, B. The Miraculous Mandarin
The Wooden Prince
Beethoven, L. v. Piano Concerto No. 5
Symphony No. 7
Berlioz, H. Romeo and Juliet
Bizet, G. L’Arlésienne
Brahms, J. / Schoenberg, A. Quartet
Chopin, F. The Concert
Lady of the Camellias
Danielpour, R. Urban Dances
Debussy, C. La mer
Prélude à l’Après-midi d’un faune
Delibes, L. Coppélia
Sylvia
Fauré, G. Pelléas et Mélisande (Emeralds from Jewels)
Glazounov, A. Raymonda
Hertel, P. / Lanchbery, J. La fille mal gardée
Jarre, M. Notre Dame de Paris
Lalo, É. Suite en blanc
Lehár, F. Lustige Witwe (ballet version)
Liszt, F. Marguerite et Armand
Mahler, G. Lied von der Erde
Symphony No. 10
Massenet, J. Manon
Mendelssohn, F. A Midsummer Night’s Dream
Minkus, L. La Bayadère
Don Quixote
Mozart, W.A. Wolfgang Amadé
Orff, C. Carmina Burana
Prokofiev, S. Cinderella
Romeo and Juliet
Ravel, M. Bolero
Daphnis et Chloé
La Valse / Valse nobles et sentimentale
Respighi, O. La bottega fantastica
Schneitzhoffer, J.-M. La Sylphide
Shostakovich, D. Symphony No. 4
Symphony No. 5
Symphony No. 8
Symphony No. 10
Strauss, J. II Die Fledermaus (ballet version)
Stravinsky, I. Apollo
Capriccio (Rubies from Jewels)
Firebird
L’histoire du soldat
Petrouschka
The Rite of Spring
Scherzo à la russe
Violin Concerto
Tchaikovsky, P.I. The Nutcracker
Pas de Deux
Piano Concerto No. 3
Serenade
The Sleeping Beauty
Swan Lake
Symphony No. 3 (Diamonds from Jewels)
Theme and Variations

 

OPERA

 

Bizet, G. Carmen
Donizetti, G. Lucia di Lammermoor
Dvořák, A. Rusalka
Humperdinck, E. Hänsel und Gretel
Lehár, F. Die lustige Witwe
Massenet, J. Manon
Mozart, W.A. Così fan tutte
Die Zauberflöte
Le nozze di Figaro
Offenbach, J. Les contes d’Hoffmann
Orphée aux Enfers
Puccini, G. La bohème
Tosca
Turandot
Rossini, G. Il barbiere di Siviglia
Smetana, B. Die verkaufte Braut
Strauss, J. Die Fledermaus
Strauss, R. Der Rosenkavalier
Die Frau ohne Schatten
Salome
Verdi, G. Aida
Il trovatore
Rigoletto
Wagner, R. Tannhäuser

 

SYMPHONIC REPERTOIRE

 

Bach, J.S. Brandenburg Concerto No. 1
Brandenburg Concerto No. 3
Brandenburg Concerto No. 4
Piano Concerto D minor
Bach, P.D.Q. Concerto for Simply Grand Piano and Orchestra
Barber, S. Adagio for Strings
Essay No. 1 – 2
Medea
Piano Concerto
Two Scenes from Antony and Cleopatra
Violin Concerto
Beach, A. “Bal Masque”
Bartók, B. Concerto for Orchestra
The Miraculous Mandarin
Piano Concerto No. 3
The Wooden Prince
Beethoven, L. v. Choral Fantasy
Christ on the Mount of Olives
Coriolanus Overture
Egmont Overture
Fidelio Overture
Leonore Overture No. 1
Leonore Overture No. 3
Piano Concerto No. 1–5
Symphony No. 1–9
Symphony No. 10 (completion by Cooper)
Triple Concerto for Violin, Cello, and Piano
Violin Concerto
Berg, A. Violin Concerto
Berlioz, H. Cléopâtre
Le Corsaire Overture
Roman Carnival Overture
Roméo et Juliette
Symphonie fantastique
Three Scenes from “The Damnation of Faust”
Bernstein, L. Candide Overture
Chichester Psalms
Serenade for Violin, Percussion and Strings
Symphonic Dances from “West Side Story”
Symphony No. 1 “Jeremiah”
Symphony No. 2 “The Age of Anxiety”
Three Dance Episodes from “On the Town”
Bizet, G. L’Arlésienne Suites 1 & 2
Symphony in C
Bolcom, W. Commedia for (almost) 18th Century Orchestra
Prometheus for chorus, piano, and orchestra
Borodin, A. In the Steppes of Central Asia
Nocturne
Polovtsian Dances from Prince Igor
Prince Igor Overture
Brahms, J. Academic Festival Overture
Double Concerto for Violin and Cello
Ein deutsches Requiem
Piano Concerto No. 1–2
Piano Quartet – Schoenberg Orchestration
Symphony No. 1–4
Tragic Overture
Variations on a Theme by Haydn
Violin Concerto
Bruch, M. Scottish Fantasy
Bruckner, A. Symphony No. 4
Symphony No. 6–7
Bunch, J. Piano Concerto
Chadwick, G.W. Melpomene Dramatic Overture
Chopin, F. Piano Concerto No. 1–2
Copland, A. Appalachian Spring
Clarinet Concerto
Fanfare for the Common Man
A Lincoln Portrait
Music for the Theatre
Quiet City
Rodeo Suite
Symphony No. 3
Corigliano, J. “To Music”
Danielpour, R. Urban Dances
Debussy, C. Iberia
La Mer
Prélude à l’après-midi d’un faune
Delibes, L. Coppélia
“Sylvia”
Donizetti, G. Roberto Devereux Overture
Dukas, P. La Péri
The Sorcerer’s Apprentice
Duparc, H. Aux étoiles
Dvořák, A. Carnival Overture
Cello Concerto
Piano Concerto
Symphony No. 7–9
Elgar, E. Cello Concerto
Falla, M. de El amor brujo
Nights in the Gardens of Spain
Three-Cornered Hat Suite No. 1
Fauré, G. Requiem
Franck, C. The Accursed Huntsman
Symphony in D minor
Fuchs, K. Piano Concerto – Spiritualist
Gershwin, G. An American in Paris
Cuban Overture
Girl Crazy Overture
“I Got Rhythm” Variations
Piano Concerto in F
Porgy and Bess Concert Suite – Litton
Rhapsody in Blue
Second Rhapsody for Piano and Orchestra
Glinka, M. Russlan und Ludmilla
Gregson, E. Trumpet Concerto
Grieg, E. Holberg Suite
Peer Gynt Suites 1 & 2
Piano Concerto
Griffes, C.T. The Pleasure Dome of Kubla Khan
Handel, G.F. Messiah
Music for the Royal Fireworks
Water Music
Hansen, T. Dances of Two Worlds
Harbison, J. Gatsby Fox Trot
Harris, R. Symphony No. 3
When Johnny Comes Marching Home – An American Overture
Haydn, J. Concerto for Trumpet
Mass No. 10 in C – “Mass in Time of War”
Symphony No. 94
Symphony No. 104
Higdon, J. “Blue Cathedral”
Hindemith, P. Symphonic Metamorphosis on Themes of Carl Maria von Weber
Holst, G. The Planets
Honegger, A. King David
Pastoral d’été
Hovhaness, A. Guitar Concerto
Prayer of St. Gregory
Hummel, J.N. Trumpet Concerto E-flat major
Ibert, J. Divertissement
Hommage à Mozart
Paris
Ives, C. The Unanswered Question
James, K. Piano Concerto
Khachaturian, A. Piano Concerto
Sabre Dance
Violin/Flute Concerto
Larsen, L. “Beauty Alone”
Liebermann, L. Piano Concerto No. 3
Liszt, F. Faust Symphony
Festklänge
Les Préludes
Piano Concertos – Nos. 1 & 2
Prometheus
Macchia, R. Overtura Rocambulesca
Mahler, G. Das Lied von der Erde
Lieder eines fahrenden Gesellen
Symphony No. 1
Symphony No. 2 “Resurrection”
Symphony No. 5
Symphony No. 10
Mansurian, T. Double Concerto for Violin and Cello
Massenet, J. Last Sleep of the Virgin
Mendelssohn, F. A Midsummer Night’s Dream
Die Hebriden Overture
Symphony No. 3
Symphony No. 4 “Italian”
Symphony No. 4 “Italian” (2nd version)
Violin Concerto
Menin, P. Concertato “Moby Dick”
Milhaud, D. “Le boeuf sur le toit”
Mozart, W.A. Adagio and Fugue for Strings
Ave verum corpus
Concerto for Two Pianos
Great Mass in C minor
Les petits riens
Piano Concerto No. 19–21
Piano Concerto No. 25
Requiem
Sinfonia Concertante for 4 solo winds and orchestra
Symphony No. 15
Symphony No. 25
Symphony No. 29
Symphony No. 31
Symphony No. 36
Symphony No. 38
Symphony No. 39–41
Violin Concerto No. 3
Mussorgsky, M. Night on Bald Mountain (original version)
Night on Bald Mountain – Rimsky-Korsakov
Pictures at an Exhibition (orch. Ravel)
Nielsen, C. Symphony No. 2 “The Four Temperaments”
Symphony No. 3 “Sinfonia espansiva”
Orff, C. Carmina Burana
Pärt, A. Fratres
Piston, W. Symphony No. 4
Poulenc, F. Aubade for Piano and 18 Instruments
Gloria for Chorus
Prokofiev, S. Alexander Nevsky
Cinderella
Piano Concerto No. 1
Piano Concerto No. 3
Romeo and Juliet
Symphony No. 1 “Classical”
Symphony No. 5
Violin Concerto No. 2
Rachmaninoff, S. Isle of the Dead
Piano Concerto No. 1–4
Rhapsody on a Theme of Paganini
Symphonic Dances
Symphony No. 1–3
Ravel, M. Alborada del gracioso
Boléro
Daphnis et Chloé
La Valse
Le Tombeau de Couperin
Piano Concerto
Tzigane
Valses nobles et sentimentales
Read Thomas, A. Prayer and Celebration
Respighi, O. Ancient Airs and Dances Suite No. 3
The Birds
La Boutique fantasque
Botticelli Triptych
Church Windows
The Pines of Rome
Revueltas, C. Sensemayá
Rimsky-Korsakov, N. Capriccio espagnol
Russian Easter Overture
Scheherazade
Symphony No. 2 “Antar”
Rodrigo, J. Guitar Concerto
Rossini, G. Barber of Seville Overture
L’italiana in Algeri Overture
La Semiramide Overture
The Silken Ladder Overture
Thieving Magpie Overture
William Tell Overture
Rózsa, M. Double Concerto
Saint-Saëns, C. Carnival of the Animals
La Jeunesse d’Hercule
Piano Concerto No. 2
Symphony No. 3 “Organ”
Schoenberg, A. Chamber Symphony No. 2
Go!
Verklärte Nacht
Schubert, F. Death and the Maiden (for string orchestra by G. Mahler)
Mass in G
Symphony No. 5
Symphony No. 8 “Unfinished”
Schuman, W. American Festival Overture
Judith – Choreographic Essay for Orchestra
New England Triptych
Night Journey
Prayer in a Time of War
Symphony No. 3
Symphony No. 5
Schumann, R. Symphony No. 1 “Spring”
Symphony No. 2
Symphony No. 4
Schwantner, J. New Morning for the World
Shostakovich, D. Festive Overture
Symphony No. 5
Sibelius, J. Finlandia
Lemminkäinen Suite – Four Legends from the Kalevala
Symphony No. 1–2
Symphony No. 5
Violin Concerto
Smetana, B. The Moldau
Stafylakis, S. Brittle Fracture
Strauss, J. Blue Danube Waltz
Emperor Waltz
Pizzicato Polka
Voices of Spring Waltz
Strauss, R. Also sprach Zarathustra
Don Juan
Don Quixote
Le Bourgeois Gentilhomme
Tod und Verklärung
Stravinsky, I. Capriccio for Piano and Orchestra
L’Histoire du soldat
Petrouschka
Pulcinella
Le Sacre du Printemps
Violin Concerto
Tchaikovsky, P.I. Festival Coronation March
Piano Concerto No. 1–3
Serenade for Strings
Suite No. 4 “Mozartiana”
Symphony No. 1–6
The Tempest
Variations on a Rococo Theme
Violin Concerto
Tower, J. “Fanfare for the Uncommon Woman No. 6”
Sequoia
Verdi, G. La forza del destino Overture
Nabucco Overture
Vivaldi, A. Concerto for Two Trumpets
The Four Seasons
Wagner, R. Brünnhilde’s Immolation Scene
Entrance of the Gods into Valhalla
Magic Fire Music
Ride of the Valkyries
Siegfried Idyll
Siegfried’s Funeral March
Siegfried’s Rhine Journey
Tristan und Isolde – Prelude und Liebestod
Zwilich, E. “Rituals” for 5 Percussion and Orchestra

VIDEO

‘Candide’ by L. Bernstein at the Teatro Comunale di Bologna (conducted by Kevin Rhodes, directed by Renato Zanella) – 2025

REVIEWS

Candide by L. Bernstein at Teatro Comunale di Bologna (Jul. 2025) and Teatro Lirico Giuseppe Verdi di Trieste (Jun. 2025)

“In the pit, the brilliant conductor Kevin Rhodes, a skilled concertatore, demonstrated his ability to balance the orchestra with the stage and to bring out the splendid interplay between strings and winds (placed, by Bernstein’s exceptional choice, to the right of the podium in lieu of the usual violas), as shown in the thrilling performance of the famous overture. Due praise must also be given to the Teatro Comunale Orchestra, which handled with character and experience musical sonorities outside its usual repertoire, without ever compromising the sweet and soft sound that is its hallmark.”  [translated from Italian]
– Gabriele D’Aprile, giornaledellamusica.it (Bologna, 07/2025)

“Conductor Kevin Rhodes seems to have great faith in this opera and approaches it with verve as well as elegance, shaping its rhythms and narrative with the support of an engaged and receptive Teatro Comunale Orchestra.”  [translated from Italian]
– Silvano Capecchi, operaclick.com (Bologna, 07/2025)

“Kevin Rhodes is a Master with a strong personality, endowed with a confident hand and strongly in tune with Bernstein’s atmospheres. //The orchestral moments are captivating, intense, also thanks to the performance of a Verdi orchestra in a state of grace in all its sections. // The a cappella passages are of poignant beauty, such as the quartet of the first act, in which the balance of the voices is attentive and well built.”  [translated from Italian]
– Gianluca Macovez, laplatea.it (Trieste, 06/2025)

“Not least the execution of this fascinating score, which surpasses languages and eras, here entrusted to the direction of Kevin Rhodes, who directs with energy and precision, enhancing both the solo parts and the overall moments, managing to maintain consistency and liveliness even in the most hectic passages. Followed by an orchestra of dazzling shape, he knows how to combine with great balance the ironic and lyrical soul of the score, dosing colors and dynamics and fully restoring Bernstein’s changing writing.”  [translated from Italian]
– Stefano Bisacchi, connessiallopera.it (Trieste, 06/2025)

Sylvia (ballet) by L. Delibes at Opéra national de Paris (May 2025)

“The fabulous music of Léo Delibes allows the Orchestre de l’Opéra national de Paris to deploy all the know-how of the different lecterns. The brass sound brilliantly and the strings are shimmering under the baton of the experienced Kevin Rhodes, decidedly very in love with the dialogue between pit and set. The ballet corps is dragged into this adventure in a dizzying way, and the living forces of the Opera converge towards this Sylvia by Manuel Legris, which seems to be the concretion of a whole romantic (and historically very French) aesthetic.”  [translated from French]
– Alain Attyasse, resmusica.com

“All the more so as, in the pit, conductor Kevin Rhodes’s direction explores with detail and breadth the thousand-and-one accents and nuances of Delibes’s brilliant score.”  [translated from French]
– Elvire James, classiquenews.com

Raymonda (ballet by Rudolf Nureyev) at the Vienna State Opera (Mar. 2018)

“But what makes this two-and-a-half hour long ballet so valuable is the music of Alexander Glasunow, which was commissioned in 1897. Conductor Kevin Rhodes finally made this clear to me at the performance on March 9, together with the State Opera Orchestra. With attention shared between the dancers and the orchestra, he lets the adagio passages foreshadow spring and makes the winter time of Saracen, Hungarians, and the Spanish fire under the rump. The entire ensemble has thrown its legs so fast so fast, the ladies and gentlemen have hardly turned so fast. But Rhodes has known the Viennese company for a long time and is a darling of the dancers. The audience has long since joined in this love, Rhodes is being applauded even before he has entered the orchestra pit. … Undoubtedly, this animated and animating evening (in the stands and in the standing room one can not hold back with loud cheers) belonged to the conductor Kevin Rhodes and the orchestra, all to the glory of Glasunov.”
– Ditta Rudle, tanzschrift.at

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