INTRODUCTION
Zoe Zeniodi, hailed by the press as “Ms. Dynamite”, is the Music Director and Chief Conductor of the Orquesta Filarmónica de Buenos Aires in Teatro Colón, Argentina, and the Artistic Director of El Sistema Greece.
Her international career in opera and ballet has led her to collaborations with Opera Australia, Opera Ballet Vlaanderen, Teatro de la Maestranza, Frank Martin Odyssey in Geneva, Opera Queensland, New Zealand Opera, Opera Southwest, Florida Grand Opera, Bremen Opera, Greek National Opera, Onassis Cultural Center, Festival of the Aegean, among others.
RECENT AND FUTURE HIGHLIGHTS
Zoe recently collaborated with Orchestre de Paris and Köln Gürzenich Orchester and debuted with Buenos Aires Philharmonic in a concert with Vadim Gluzman at the Teatro Colón. She returned to Argentina to conduct the opening of the Philharmonic Orchestra of Buenos Aires season at the Teatro Colón and had a collaboration with LA Opera, among others.
Her engagements in season 24/25 include Mozart’s Così fan tutte at Opera Australia Sydney; Cunha’s Violin Concerto (world premiere) and Schoenberg’s Pelleas e Melisande with Orquestra Sinfônica de Porto Alegre; Corigliano’s Circus Maximus and the world premiere of a commissioned work by Sofia Scheps with Montevideo Banda Sinfónica at Teatro Solís; Osama Abdulrasol’s Barzakh at Opera Ballet Vlaanderen; Gluck’s Iphigenie au Tauride at Teatro de la Maestranza in Sevilla, and concerts with the Royal Symphony Orchestra Sevilla and the Cyprus Symphony Orchestra, a.o.
Further upcoming engagements include her debuts with Opera de Paris and Orchestre de Chambre de Paris, Opera Orchestra of Montpellier (New Year concerts), OSESP (State Symphony Orchestra Sao Paolo), National Symphony Orchestra of Chile, and OSB (Symphony Orchestra of Brazil, Rio de Janeiro), a.o.
BIOGRAPHY
Zoe Zeniodi has conducted ROSS (Real Orquesta Sinfónica Sevilla), Orchestre National Avignon Provence, Bremen Philharmonic, Porto Allegre Symphony Orchestra, Banda Sinfonica de Montevideo, National Orchestra of Colombia, National Orchestra of Tatarstan, National Orchestra of Vietnam, South Czech Philharmonic, Cyprus Symphony Orchestra, Bogota Philharmonic, Brno Philharmonic, Olympia Symphony Orchestra, Paris Mozart Orchestra, Palm Beach Symphony, Orchestra Classica Toscana among many others.
She has conducted in venues such as the Paris Philharmonie, Teatro Colón, and Carnegie Hall. She has collaborated with artists such as Sir Stephen Hough, Vadim Gluzman, Homero Francesch, and Lise de la Salle.
As an associate conductor, Zoe Zeniodi has covered productions and concerts with the Los Angeles Opera, Lyric Opera of Chicago, Philharmonia Orchestra, Orchestre de Paris, Santa Fe Opera, Köln Gürzenich Orchestra, Orquesta de Castilla y Leon and her work with youth orchestras has led her to collaborate with Academia Jovem Concertante, Bogota Youth Orchestra Florida Youth Orchestra, Greater Miami Youth Symphony and various Sistema inspired programs.
The Greek conductor has been a Taki Alsop Conducting Fellowship Mentee, a Fellow of the Hart Institute of Women Conductors, and a member of La Maestra Academy at Paris Philharmonie.
The documentary “Maestra” featuring her life and work premiered at the Tribeca Film Festival in New York and won “The Audience Award Documentary Second Place”, among many other prizes in various film festivals, and is currently showing on Netflix.
Previous artistic leadership positions include Artistic Director of the Thessaloniki Concert Hall, Principal Conductor of the Greek-Turkish Youth Orchestra, Principal Guest Conductor for “Asia-Europe” New Music Festival Hanoi, Chief Conductor of MOYSA, Cover Conductor for Florida Grand Opera, Music and Artistic Director of Broward Symphony Orchestra and Alhambra Orchestra, Associate Music Director of the Festival of the Aegean, Artistic Advisor of the Festival of the Aegean, Artistic Director of “Consonances” annual music series for the Onassis Foundation Scholars’ Association and Associate Conductor of the Frost Symphony Orchestra.
She has recorded for the Greek National Radio, as a conductor (championing contemporary music by Greek composers) and a pianist. She has released seven recordings of American contemporary music, including most of Thomas Sleeper’s world premieres and Frank Ticheli’s master song cycle “An American Dream” (Albany Records, Uroboros Music, and Puzzlemusik). Additionally, she took part in prestigious masterclasses where she conducted the Cleveland Orchestra, Orchestre de Chambre de Paris, and Stockholm Sinfonietta.
Zoe Zeniodi holds a Doctorate of Musical Arts and an Artist Diploma in Orchestral Conducting from the University of Miami. She studied piano and collaborative piano at the Royal College of Music in London and at the Mozarteum University in Salzburg, earning her Master’s and Bachelor’s degrees, as well as Postgraduate and Advanced Postgraduate Diplomas. During her studies, she received scholarships and grants from the Alexandros Onassis Foundation, the Friends of Music Society, the Propondis Foundation, the Royal College of Music, and the University of Miami.
As a pianist, Zoe Zeniodi appeared in major concert halls and festivals in England (Royal Festival Hall, St John’s Smith Square, St James’s Piccadilly, Snape Maltings), France (Montpellier and Guibwiller Festivals), Germany (Frankfurt Oper, Rheinsberg Festival, Halle, Kiel, Leipzig, Düsseldorf, Dortmund, Berlin, Cologne), Croatia (Lisinski Concert Hall), Russia, Austria, Belgium, Holland, Greece, Italy, Venezuela, Mauritius, and the USA.
| OPERA
|
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|---|---|---|
| Bartók, B. | Bluebeard’s Castle | |
| Bellini, V. | La sonnambula | |
| Berg, A. | Wozzeck* | |
| Bizet, G. | Carmen | |
| Les pêcheurs de perles | ||
| Britten, B. | Albert Herring | |
| The Rape of Lucretia | ||
| Cherubini, L. | Medea (it) | |
| D’Netto, C. | The Call | |
| Donizetti, G. | L’Elisir d’amore | |
| Lucia di Lammermoor | ||
| Gounod, C. | Faust | |
| Handel, G.F. | Semele (HWV 58) | |
| Holst, G. | Sāvitri, Op. 25 | |
| Kritsotakis, K. | Raven Revisited | |
| Lehár, F. | Die lustige Witwe | |
| Leoncavallo, R. | I Pagliacci | |
| Levy, M. D. | Mourning Becomes Electra | |
| Massenet, J. | Manon | |
| Thaïs | ||
| Thérèse | ||
| Werther | ||
| Menotti, G.C. | The Telephone / The Medium | |
| Mozart, W. A. | Bastien und Bastienne | |
| Cosi fan tutte | ||
| Die Zauberflöte | ||
| Don Giovanni | ||
| Idomeneo | ||
| Le nozze di Figaro | ||
| Piazzola, A. | Maria de Buenos Aires (tango opera) | |
| Poulenc, F. | La voix humaine | |
| Puccini, G. | Il Trittico – Suor Angelica | |
| Il Trittico – Gianni Schicchi | ||
| Tosca | ||
| Turandot | ||
| Rodriguez, R. X. | Frida | |
| Tango (opera) | ||
| Romitelli, F. | An Index of Metals | |
| Rossini, G. | Le comte Ory | |
| La scala di seta | ||
| Ruo, H. | M. Butterfly | |
| Sfakianaki, M. | Minos | |
| Sleeper, T. | Einstein’s Inconsistency | |
| The Sisters Antipodes | ||
| Strauss, R. | Der Rosenkavalier* | |
| Verdi, G. | Il Trovatore | |
| La traviata | ||
| Macbeth | ||
| Nabucco | ||
| Rigoletto | ||
| Vores, A. | No Exit | |
| Wagner, R. | Tristan und Isolde* | |
| ORCHESTRAL REPERTOIRE
|
||
|---|---|---|
| Adam, A. | Giselle (complete ballet) | |
| Akiyarova, R. | Fight: Golden Horde Ballet | |
| Albornoz, J. | For Bruna: Sonnet no. 1 | |
| Arensky | Intermezzo for Orchestra | |
| Bach, J.S. | St Matthew Passion, BWV 244 | |
| Brandenburg Concerto no.6, BWV 1051 | ||
| Concerto no. 1, BWV 1052 (piano and conducting) | ||
| Concerto no. 5, BWV 1056 (piano and conducting) | ||
| Suite no. 2, BWV 1067 | ||
| Violin Concerto no. 2, BWV 1042 | ||
| Barber, S. | Adagio for Strings | |
| Knoxville: Summer of 1915, op. 24 | ||
| Medea’s Meditation and Dance of Vengeance, op. 23a | ||
| Violin Concerto, op. 14 | ||
| Essay no. 1, op. 12 | ||
| Bartok, B. | Concerto for Orchestra | |
| Divertimento | ||
| The Miraculous Mandarin Suite | ||
| Beethoven, L.v. | Piano Concerto no. 3, op. 37, C minor | |
| Piano Concerto no. 4, op. 58, G major | ||
| Piano Concerto no. 5, op. 73, E-flat major | ||
| Violin Concerto, op. 61, D major | ||
| Concerto for Violin, Violoncello and Piano, op. 56, C major | ||
| Coriolan Overture, op. 62 | ||
| Egmont Overture, op. 84 | ||
| Fidelio Overture, op. 72b | ||
| Symphony no. 3, op. 55, E-flat major, “Eroica” | ||
| Symphony no. 4, op. 60, B-flat major | ||
| Symphony no. 5, op. 67, C minor | ||
| Symphony no. 6, op. 68, F major “Pastorale” | ||
| Symphony no. 7, op. 92, A major | ||
| Symphony no. 8, op. 93, F major | ||
| Begaliyev, M. | Festive Overture | |
| Bennett, W.S. | The Naiades Overture, op. 15 | |
| Berg, A. | Sieben Frühe Lieder | |
| Wozzeck: Three Fragments (Drei Bruchstücke) | ||
| Berlioz, H. | Les nuits d’été, op. 7 | |
| Symphonie Fantastique, op. 14 | ||
| Roman Carnival | ||
| La Mort de Cléopâtre | ||
| Bernstein, L. | Symphony no. 2, “The age of anxiety” | |
| Candide Overture | ||
| Bizet, G. | Symphony no. 1, C major | |
| L’Arlesienne: Suite no. 1 | ||
| L’Arlesienne: Suite no. 2 | ||
| Carmen: Suite no. 1 | ||
| Carmen: Suite no. 2 | ||
| Les Pecheurs de Perles: Overture | ||
| Boccherini, L. | Cello Concerto, G.482, B-flat major | |
| Stabat Mater | ||
| Borodin, A. | Symphony no. 2, B minor | |
| In the steppes of central Asia | ||
| Brahms, J. | Symphony no. 1, op.68, C minor | |
| Symphony no. 2, op. 73, D major | ||
| Symphony no. 3, op. 90, F major | ||
| Symphony no. 4, op. 98, E minor* | ||
| Variations on a Theme of Josef Haydn, op. 56a | ||
| Violin Concerto, op. 77, D major | ||
| Piano Concerto no. 1, op. 15, D minor | ||
| Piano Concerto no. 2, op. 83, B-flat major | ||
| Double Concerto for Violin and Cello, op. 102, A minor | ||
| Hungarian Dances nos. 1 & 5 | ||
| Tragic Overture, op. 81 | ||
| Britten, B. | Four Sea Interludes, op. 33a | |
| Sinfonietta | ||
| Simple Symphony, op.4 | ||
| Brouwer, L. | Concerto Elegiaco | |
| Bruch, M. | Violin Concerto no. 1, op.26, G minor | |
| Symphony no. 1, op. 28, E-flat major | ||
| Symphony no. 2, op.36, F minor | ||
| Bruckner, A. | Symphony no. 0, D minor (Die Nullte), WAB 100 | |
| Symphony no. 3, D minor, WAB 103* | ||
| Symphony no. 4, E-flat major (Romantic), WAB 104 | ||
| Symphony no. 6, A major, WAB 106 | ||
| Symphony no. 7, E major, WAB 107 | ||
| Three Orchestral Pieces, WAB 97 | ||
| Chabrier, E. | España | |
| Chappell, H. | Paddington Bear’s First Concert | |
| Chausson, E. | Poème de l’amour et de la mer, op. 19 | |
| Cherubini, L. | Medea: Overture | |
| Chobaz, R. | Spiderweb | |
| Chopin, F. | Piano Concerto no. 1, op. 11, E minor | |
| Piano Concerto no. 2, op. 21, F minor | ||
| Copland, A. | Appalachian Spring: Suite (both versions) | |
| Fanfare for the Common Man | ||
| Corigliano, J. | Violin Concerto no. 1, “The Red Violin” | |
| Debussy, C. | La Mer | |
| La Cathédrale Engloutie (arr. Sir Henry Wood) | ||
| Dittersdorf, C.D.v | Concerto for double bass, E-flat major | |
| Do, Hong Quan | Concerto for piano and orchestra “Festival Drums” (WP) | |
| Dialogue for Dan Bau and orchestra (WP) | ||
| Dvorak, A. | Symphony No.9, op. 95, E minor, (From the New World) | |
| Symphony No.7, op. 70, D minor | ||
| Concerto for violoncello and orchestra, op.104, B minor | ||
| Notturno, op. 40, B major | ||
| Elgar, E. | Enigma Variations, op. 36 | |
| Concerto for violoncello and orchestra, op. 85, E minor | ||
| Sea Pictures | ||
| Serenade for strings, op. 20, E minor | ||
| Romance for bassoon and orchestra, op. 62 | ||
| Salut d’amour | ||
| Sospiri | ||
| Pomp and Circumstance, March no. 1, D major | ||
| Falla, M. | El Amor Brujo: Ritual fire dance | |
| Farrenc, L. | Symphony no. 2 | |
| Symphony no. 3 | ||
| Faure, G. | Pavane, op. 50 | |
| Dolly, op. 56 | ||
| Elegy, op. 24 | ||
| Finzi, G. | Eclogue, op. 10 (piano and conducting) | |
| Romance. op. 11 | ||
| Franck, C. | Symphony in D minor | |
| Gander, B. | Evil Elves: Level Eleven | |
| Germanavicius, V. | Trilogy on Horizontal Drift for violin and piano | |
| Gershwin, G. | American in Paris | |
| Ginastera, A. | Glosses sobre temes de Pau Casals, op. 48 | |
| Estancia: Ballet Suite op. 8 | ||
| Glinka, M. | Ruslan and Ludmila: Overture | |
| Gounod, C. | Petite Symphonie | |
| Marche funèbre d’une marionette | ||
| Grainger, P. | Molly on the Shore | |
| Grieg, E. | Piano Concerto, op.16, A minor | |
| Peer Gynt Suite no. 1 | ||
| Peer Gynt Suite no. 2 | ||
| Hanson, H. | Symphony no. 5, op. 43 (Sinfonia Sacra) | |
| Haydn, J. | Nelson Mass, D minor | |
| The Creation | ||
| Piano Concerto, D major (piano and conducting) | ||
| Cello Concerto no. 1, C major | ||
| Cello Concerto no. 2, D major | ||
| Symphony no. 44, E minor (Trauer-Symphonie) | ||
| Symphony no. 83, G minor (La Poule) | ||
| Symphony no. 90, C major | ||
| Symphony no. 104, D major (London) | ||
| Hely-Hutchinson, V. | A Carol Symphony | |
| Holst, G. | Suite no. 1for Military Band, E-flat major | |
| The Planets | ||
| Hovhaness, A. | And God Created Great Whales | |
| Ibert, J. | Concertino da camera, alto saxophone & orchestra | |
| Flute Concerto | ||
| Ismagilova, L. | Sacrament, for voice and orchestra | |
| Ives, C. | The Unanswered Question | |
| Kalimullin, R. | Symphonic Frescoes | |
| Piano Concerto | ||
| Overture no.3 | ||
| Kancheli, G. | Symphony no. 4, “To the Memory of Michelangelo” | |
| Symphony no. 5 “To the Memory of My Parents”* | ||
| Kendall, H. | Tuxedo:Vasco “de” Gama | |
| Klevitsky, A. | Love on Notes: Overture | |
| Kokkoras, P. | Crama | |
| Koumendakis, G. | The Pedal Tone of a Child | |
| Kritsotakis, K. | Nocturne | |
| Lehár, F. | The Merry Widow: Overture | |
| Liszt, F. | Totentanz | |
| Piano Concerto no. 1, E-flat major | ||
| Piano Concerto no. 2, A major | ||
| Lupov, A. | Concerto for clarinet and orchestra | |
| Mahler, G. | Lieder eines fahrenden Gesellen | |
| Rückert Lieder | ||
| Symphony no. 1: Blumine | ||
| Symphony no. 1, D major (Titan) | ||
| Symphony no. 4, G major | ||
| Symphony no. 5, C-sharp minor | ||
| Das Lied von der Erde | ||
| Totenfeier | ||
| Marquez, A. | Danzon no. 2 | |
| McLoskey, L. | SLAM! | |
| Martinez, M.v. | Symphony in C major | |
| Mascagni, P. | Cavalleria Rusticana: Intermezzo | |
| Massenet, J. | Meditation from Thais | |
| Matsusita, I. | Prayer of the Firmament | |
| Mendelssohn, F. | Symphony no. 3, op. 56, A minor (Scottish) | |
| The Hebrides, op. 26 | ||
| Märchen von der schönen Melusine | ||
| Violin Concerto no. 2, op. 64, E minor | ||
| Mercadante, S. | Flute concerto, E minor | |
| Mozart, W. A. | Requiem, K. 626 | |
| Symphony no. 31, K. 297, D major (Paris) | ||
| Symphony no. 33, K. 319, B-flat major | ||
| Symphony no. 39, K. 543, E-flat major | ||
| Symphony no. 40, K. 550, G minor | ||
| Symphony no. 41, K. 551, C major | ||
| Ave Verum Corpus, K. 618 | ||
| Regina Coeli, K. 276, C major | ||
| Exultate Jubilate, K. 165 | ||
| Vado, ma dove, o dei, K. 583 | ||
| Don Giovanni: Overture | ||
| Le Nozze di Figaro: Overture | ||
| Cosi fan tutte: Overture | ||
| Die Zauberflöte: Overture | ||
| Clarinet Concerto, K.622, A major | ||
| Piano Concerto, K. 459, F major (piano and conducting) | ||
| Piano Concerto, K. 466, D minor | ||
| Piano Concerto, K. 467, C major | ||
| Piano Concerto, K. 488, A major | ||
| Divertimento, K. 138, F major | ||
| Concerto for two pianos, K. 365, E-flat major | ||
| Mussorgsky, M. | Pictures at an Exhibition | |
| Night on a bare mountain (both versions) | ||
| Pavlorek, A. | Laaske Obrasky (WP) | |
| Poulenc, F. | Concerto for two pianos, D minor | |
| Prokofiev, S. | Peter and the Wolf, op. 67 | |
| Piano Concerto no. 1, op. 10, D-flat major | ||
| Romeo and Juliet, Suite no. 1 | ||
| Romeo and Juliet, Suite no. 2 | ||
| Romeo and Juliet, Suite no. 3 | ||
| Romeo and Juliet (complete ballet)* | ||
| Symphony no. 1, op. 25, (Classical) | ||
| Puccini, G. | I crisantemi | |
| Rachmaninoff, S. | Piano Concerto No. 1, op. 1, F-sharp minor | |
| Piano Concerto No.2, op. 18, C minor | ||
| Piano concerto no. 3, op. 30, D minor | ||
| Vocalise | ||
| Isle of the Dead, op. 29 | ||
| Ravel, M. | Piano Concerto in G | |
| Alborada del gracioso | ||
| Don Quichotte à Dulcinée | ||
| Reger, M. | Lyrisches Andante | |
| Respighi, O. | Antiche danze ed arie, no. 3 | |
| Trittico Botticelliano | ||
| Pini di Roma | ||
| Il tramonto | ||
| Revueltas, S. | Sensemaya | |
| Rimsky-Korsakov, N. | Scheherazade, op.35 | |
| Capriccio Espagnol, op. 34 | ||
| Rolla, A. | Concertino for viola and orchestra | |
| Romitelli, F. | Amok Koma | |
| Rossini, G. | Il barbiere di Siviglia: Overture | |
| La gazza ladra: Overture | ||
| Semiramide: Overture | ||
| Ruggles, C. | Angels | |
| Saint-Saëns, C. | Piano Concerto no. 3, op. 29, E-flat major | |
| Africa, op. 89 | ||
| Carnival of the Animals | ||
| Cello Concerto no. 1, op. 33, A minor | ||
| Danse macabre, op. 40 | ||
| Salieri, A. | Concerto for flute, oboe and orchestra | |
| Salvati, A. | Variazioni (WP) | |
| Sardar, F. | Turkish Holiday | |
| Scriabin, A. | Symphony no. 1 | |
| Symphony no. 2 | ||
| Schubert, F. | Symphony no. 4, D. 417 (Tragic) | |
| Symphony no. 5, D. 485, B-flat major | ||
| Symphony no. 8, D. 759, B minor (Unfinished) | ||
| Rosamunde: Overture | ||
| Rosamunde: Entr’acte no. 3 | ||
| Schuman, W. | New England Triptych | |
| Schumann, R. | Symphony no. 1, op. 38, B-flat major (Spring) | |
| Symphony no. 2, op. 61, C major | ||
| Symphony no. 3, op. 97, E-flat major (Rheinische) | ||
| Symphony no. 4, op. 120, D minor | ||
| Faust: Overture | ||
| Piano Concerto, op. 54, A minor | ||
| Violin Concerto, D minor | ||
| Violoncello Concerto, op. 129, A minor | ||
| Genoveva, op. 81: Overture | ||
| Nachtlied, op. 108 | ||
| Schumann, C. | Piano concerto, op.7, A minor | |
| Scriabin | Reverie | |
| Séjourné, E. | Marimba Concerto | |
| Shostakovich, D. | Ballet Suite No.1 | |
| Symphony no.5, op. 47, D minor | ||
| Piano concerto no. 1, op. 35 | ||
| Piano concerto no. 2, op. 102 | ||
| Violin Concerto no. 1, op. 99 | ||
| Sibelius, J. | Finlandia, op. 26 | |
| Violin concerto, op. 47, D minor | ||
| Kuolema: Valse triste | ||
| Karelia Suite, op. 11 | ||
| Rakastava, op. 14 | ||
| Symphony no. 6, op. 104, D minor | ||
| Symphony no. 7, op. 105, C major | ||
| Skalkottas, N. | Five Greek Dances | |
| Sleeper, T. | Concerto for bassoon and orchestra | |
| Through a Glass Darkly’ for soprano and orchestra (WP) | ||
| Concerto for Alto Saxophone and Orchestra (WP) | ||
| ‘XENIA’, for tenor and orchestra (WP) | ||
| ‘Sisters Antipodes’ (WP) | ||
| ‘Translucence’ for trombone and orchestra (WP) | ||
| Symphony no. 2 (WP) | ||
| Symphony no. 3 (WP) | ||
| Symphony no. 5 (WP) | ||
| Concerto for horn and orchestra | ||
| Four Wonders Overture | ||
| Hetaera Esmeralda (piano and conducting) (WP) | ||
| Strauss, J. | Fledermaus Overture | |
| Unter Donner und Blitz | ||
| Rosen aus dem Süden | ||
| Tritsch-Tratsch Polka | ||
| Frühlingstimmen | ||
| Kaiser-Walzer | ||
| Radetsky March | ||
| Strauss, R. | Vier Letzte Lieder | |
| Horn Concerto no. 1, op. 11, E-flat major | ||
| Metamorphosen | ||
| Morgen, op. 27, no. 4 | ||
| Salome, op. 54: Salome’s Danse | ||
| Burleske for piano and orchestra, D minor | ||
| Stravinsky, I. | Pulcinella Suite | |
| Tabakova, D. | Concerto for violoncello and strings | |
| Tchaikovsky, P.I. | Symphony No. 5, op. 64, E minor | |
| Symphony no. 6. op. 74, B minor (Pathetique)* | ||
| Manfred Symphony, op. 58 | ||
| Symphony No.2, op, 17, C minor (Little Russian) | ||
| The Nutcracker, op. 71 (complete ballet) | ||
| Romeo and Juliette Overture Fantasy | ||
| Francesca da Rimini, op. 32 | ||
| Swan Lake, op. 20 (complete ballet) | ||
| Sleeping Beauty, op. 66 (complete ballet)* | ||
| Variations on a Rococo Theme, op. 33 | ||
| Violin Concerto, op. 35, D major | ||
| March Slave, op. 31 | ||
| Piano Concerto, no. 1, op. 23, B-flat minor | ||
| Ticheli, F. | An American Dream for soprano and orchestra (Florida premiere) | |
| Ung, B. | Symphony No.1 (WP) | |
| Vaughan Williams, R. | Fantasia on “Greensleeves” | |
| Verdi, G. | Requiem | |
| La Forza del destino: Overture | ||
| Nabucco: Overture | ||
| Vieuxtemps, H. | Violin Concerto no. 5, op. 37, A minor | |
| Villa-Lobos, H. | Bachianas Brasileiras no.3 | |
| Bachianas Brasileiras no.5 | ||
| Mômoprecoce | ||
| Vivaldi, A. | Vengo a Voi, luci adorate (Cantata) | |
| Wagner, R. | Wesendonck Lieder | |
| Tristan und Isolde: Prelude und Liebestod | ||
| Meistersinger: Prelude | ||
| Siegfried Idyll | ||
| Warlock, P. | Capriol Suite | |
| Weber, C. | Der Freischütz: Overture | |
| Webern, A. | Fünf Stücke, op. 10 | |
| Sechs Stücke, op. 6 | ||
| Langsamer Satz | ||
| Wen, D. | Love Song and River Chant | |
| Willingham, J. | Locus, loci, logeoedic | |
| Yarulin, F. | Shurale Ballade | |
| Zemlinsky, A. | Lyrische Symphonie, op. 18 | |
| Die Seejungfrau* | ||
*in preparation
AUDIO & VIDEO
Zoe Zeniodi – Die Hebriden by W.A. Mozart w. Paris Mozart Orchestra (Bourges, Feb. 2023)
Zoe Zeniodi – Symphony No. 2 by L. Farrenc w. Paris Mozart Orchestra and Paris Philharmonie (La Maestra Competition and Academy, Mar. 2022)
REVIEWS
Symphony No. 2 by L. Farrenc at La Maestra Competition – Mar. 2022
The Human Voice (by Poulenc) and The Call (D’Netto) at Opera Queensland, Brisbane Festival – Sept. 2022
Le nozze di Figaro at New Zealand Opera – Jun. 2021
NEWS
Zoe Zeniodi Conducts Concerts w. the Royal Seville Symphony Orchestra
On February 20 and 21, Maestra Zoe Zeniodi will lead violinist Alexandra Conunova and the Royal Seville Symphony Orchestra in…
Zoe Zeniodi Conducts Iphigénie en Tauride at Teatro de la Maestranza in Sevilla
On Feb. 11, 13, and 15, Zoe Zeniodi will conduct Rafael R. Villalobos’ staging of Gluck’s fascinating Iphigénie en Tauride…
Zoe Zeniodi to Conduct World Premiere of Barzakh at Opera Ballet Vlaanderen in Ghent
Renowned conductor Zoe Zeniodi will lead the world premiere of Barzakh, a bold new opera by composer Osama Abdulrasol, at…
