INTRODUCTION

Hungarian bass Levente Páll is an accomplished artist both vocally and acting-wise. He is a very versatile and he has powerful energy on stage.

RECENT AND FUTURE ENGAGEMENTS

Recent and upcoming highlights include, among others, Biterolf in Tannhäuser at Teatro Real in Madrid, Don Fernando in Fidelio at Teatro Nacional de São Carlos in Lisbon, and Baron Ochs in Der Rosenkavalier at Ópera de Tenerife.

In Austria, appearances include Sparafucile in Rigoletto, Bonzo in Madama Butterfly, and Fasolt in Das Rheingold at the Bregenzer Festspiele, Eremit in Der FreischützPriest and Dachs in The Cunning Little Vixenbass soloist in Das Paradies und die Peri, Voce in Idomeneo, and multiple roles (Old Man 2, Crab, King of Hearts, Frog-Footman) in Alice in Wonderland by Unsuk Chin at Theater an der Wien, as well as Sir John Falstaff in Die lustigen Weiber von Windsor at Stadttheater Klagenfurt,  Bartolo in Il barbiere di Siviglia and a soloist in Rossini’s Stabat Mater at the Lech Classic Festival.

In Germany, roles at the Staatsoper Hamburg include Iwan Jakowlewitsch, Leiter der Redaktion, and Arzt in Die Nase, Sprecher in Die Zauberflöte, Don Alfonso in Cosí fan tutte, and Biterolf in Tannhäuser. Further engagements include Don Apostolo Gazella in Lucrezia Borgia, Harašta in The Cunning Little Vixen, and A lackey in Ariadne auf Naxos at the Bayerische Staatsoper.

At the Staatstheater am Gärtnerplatz in Munich, recent roles include Figaro in Le nozze di Figaro, Bartolo in Il barbiere di Siviglia, participation in the contemporary opera Der tollste Tag, Sir John Falstaff in Die lustigen Weiber von Windsor, Don Magnifico in La Cenerentola, Sparafucile in Rigoletto, Count Rodolfo in La Sonnambula, Leporello in Don Giovanni, Escamillo in CarmenKhan Konchak in Prince Igor, Wurm in Luisa Miller, Crespel in Les Contes d’Hoffmann, Polizist in Der Besuch der alten Dame, and Sarastro and Zweite geharnischter in Die Zauberflöte, among others. In season 2026/27, he is to perform as Don Profondo/Barone di Trombonok in Il viaggio a Reims, Dulcamara in L’elisir d’amore, Bluebeard in Bluebeard’s Castle, Nilakantha in Lakmé, and return as Figaro in Le nozze di Figaro.

In Switzerland, appearances include Doctor in The Nose at Theater Basel.

In Norway, recent appearances include Priest and Dachs in The Cunning Little Vixen at the Norwegian National Opera & Ballet.

BIOGRAPHY

Levente Páll has been a member of the ensemble at the Staatstheater am Gärtnerplatz in Munich since the season 2016/17, where he has performed (a.o.) as Don Alfonso/Così fan tutte, Figaro/Le nozze di Figaro, Osmin/Die Entführung aus dem Serail, Don Magnifico/La Cenerentola, Don Pasquale, Sparafucile/Rigoletto, Lord Talbot/Maria Stuarda, Baculus/Der Wildschütz, Colline/La Bohéme, Leporello/Don Giovanni, and Khan Konchak/Prince Igor.

Levente Páll made his debut at the Royal Opera House, London, as First Soldier in Salome in January 2018, as well as in March 2018 as Carceriere in Tosca at the Salzburger Osterfestspiele, where he also returned in 2019 as Kothner in Die Meistersinger von Nürnberg.

Since 2015, Mr. Pall appeared on concert stages as a bass soloist in Beethoven’s 9th Symphony in Budapest, St.Gallen, and Stuttgart, in Bach’s Mass in B minor in the Musikverein of Vienna, in Bach’s Christmas Oratorio in Copenhagen, and at the Herkulessaal in Munich, as well as König Heinrich in Lohengrin at the Opéra National de Montpellier. In January 2019, he performed the role of Osmin in Mozart’s Zaide with the Münchner Rundfunkorchester, broadcast by the Bayerischer Rundfunk.

Mr. Pall was a member of the ensemble from 2014 to 2016 at the Theater St. Gallen, where he appeared as Prince Gremin in Tchaikovsky’s Eugen Onegin, Banquo in Macbeth, Loredano in Verdi’s I due Foscari, Oroveso in Bellini’s Norma, as well as Don Diègue in Massenet’s Le Cid. In addition, he sang Osmin in Die Entführung aus dem Serail at the Landestheater Bregenz in 2016.

The 2013 – 2014 season started with his house début at the Theater Magdeburg in the title role of Mozart’s Le nozze di Figaro. In 2013, the young bass made his début at the Bayerische Staatsoper in Munich, where he has since returned as Lakai in Ariadne auf Naxos, Reinmar von Zweiter (Tannhäuser), and also as Hermann Ortel (Die Meistersinger von Nürnberg). In 2012, he succeeded in his Swedish début at the Opera på Skäret festival as Raimondo in Lucia di Lammermoor.

Levente Páll was a member of the International Opera Studio at the Staatsoper Hamburg from 2010 until 2012. Since then, he returned there for roles as Haraschta in a new production of Leoš Janáček’s The Cunning Little Vixen, Baron Duphol and Dottore Grenvil in La traviata, as well as the Lakai and Haushofmeister in Ariadne auf Naxos. He was born in Transylvania and grew up in Hungary. He studied viola and singing at the University of Music and Performing Arts, Vienna, and went on to further singing studies at the Hochschule für Musik und Theater, Hamburg. As a violist, he played in orchestras including the Vienna Symphony Orchestra.

OPERA


Bartók, B. Bluebeard’s Castle Bluebeard*
Beethoven, L.v. Fidelio 2. Gefangener
Don Fernando
Bellini, V. La sonnambula Conte Rodolfo
Norma Oroveso
Berlioz, H. Roméo et Juliette Frère Laurence
Bizet, G. Carmen Escamillo
Zuniga
Les pêcheurs de perles Nourabad
Borodin, A. Prince Igor Khan Konchak
Skula
Chin, U. Alice in Wonderland Crab
Frog-Footman
King of Hearts
Old Man 2
Delibes, L. Lakmé Nilakantha*
Donizetti, G. Don Pasquale Don Pasquale
La fille du régiment Caporal
L’elisir d’amore Dulcamara*
Lucia di Lammermoor Raimondo
Lucrezia Borgia Astolfo
Don Apostolo Gazella
Maria Stuarda Giorgio Talbot
Einem, G.v. Dantons Tod Saint-Just
Der Besuch der alten Dame Polizist*
Händel, G.F. Susanna Zweiter Ältester
Henze, H.W. Der junge Lord Bürgermeister
Janáček, L. The Cunning Little Vixen Badger
Dachs
Harašta
Priest
Lortzing, A. Der Wildschütz Baculus
Martinů, B. Komödie auf der Brücke Der Brauer
Massenet, J. Le Cid Don Diègue
Werther Le Bailli
Mattheson, J. Die unglückselige Cleopatra Augustus
Mozart, W.A. Così fan tutte Don Alfonso
Die Entführung aus dem Serail Osmin
Die Zauberflöte Sarastro
Sprecher, Erster Priester
Zweiter Geharnischter
Don Giovanni Il Commendatore
Leporello
Masetto
Idomeneo Voce
Le nozze di Figaro Figaro
Zaide Osmin
Nicolai, O. Die lustigen Weiber von Windsor Sir John Falstaff
Offenbach, J. Les contes d’Hoffmann Crespel
Orff, C. Die Kluge Der Bauer
Pfitzner, H. Palestrina 1. Kapellsänger
7. Meister
Puccini, G. La bohème Alcindoro
Colline
Madama Butterfly Bonzo
Manon Lescaut Il Comandante
Tosca Angelotti
Sagrestano
Rossini, G. Il barbiere di Siviglia Bartolo
Fiorillo
Il viaggio a Reims Don Profondo / Barone di Trombonok*
La Cenerentola Don Magnifico
Shostakovich, D. Die Nase Arzt
Iwan Jakowlewitsch
Leiter der Redaktion
Schumann, R. Das Paradies und die Peri Gazna
Smetana, B. Die verkaufte Braut Micha
Strauss, R. Ariadne auf Naxos Haushofmeister
Lackey
Der Rosenkavalier Baron Ochs
Salome Erster Soldat
Fünfter Jude
Tchaikovsky, P.I. Eugene Onegin Fürst Gremin
Saretzki
Pikovaya dama Surin
Verdi, G. La traviata Baron Douphol
Dottore Grenvil
Marchese d’Obigny
Luisa Miller Wurm
Macbeth Banco
Sicario
Servo
Rigoletto Conte Ceprano
Sparafucile
Wagner, R. Das Rheingold Fasolt
Die Meistersinger von Nürnberg Fritz Kothner
Hermann Ortel
Lohengrin König Heinrich
Parsifal 2. Gralsritter
Tannhäuser Biterolf
Reinmar von Zweter
Weber, C.M.v. Der Freischütz Eremit

*in preparation

CONCERT

 

Bach, J.S. Cantata No. 79
Cantata No. 80
Cantata No. 192
h-Moll-Messe
Johannes-Passion
Weihnachtsoratorium I–III
Beethoven, L.v. C-Dur-Messe
Symphony No. 9
Dvořák, A. Stabat Mater
Händel, G.F. Susanna
Mozart, W.A. Missa solemnis
Rossini, G. Stabat Mater
Schumann, R. Szenen aus Goethes Faust
Schütz, H. Die sieben Worte Jesu Christi am Kreuz
Webber, A.L. Jesus Christ Superstar: Caiaphas

VIDEO

Levente Páll – Fidelio by L.v. Beethoven – Des besten Königs Wink und Wille – Lisbon, 2024

Levente Páll – La Bohéme by G. Puccini – Vecchia zimarra, senti – Munich, 2023

Levente Páll – Le nozze di Figaro by W.A. Mozart – Bravo, signor padrone… – Munich, 2023

Levente Páll – La Cenerentola by G. Rossini – Miei rampolli femminini – Munich, 2021

REVIEWS

 Fidelio at the Teatro Nacional de São Carlos, Lisbon (Jan. 2024)

“A very satisfying discovery for me was Levente Páll’s Fernando.  His bass is undeniably handsome in tone, even in emission, with an intelligent use of text.”
operatraveller.com 

Le nozze di Figaro at Staatstheater am Gärtnerplatz, Munich (Jul. 2023)

“Levente Páll liegt das schnelle Parlando der ausschweifenden Erzählungen hervorragend. […] Genauso überzeugend wie sein Engagement ist Figaros Zorn. Páll gelingt es, seine eigentlich weiche Bassstimme wunderbar rau und fast schon aggressiv klingen zu lassen. Es macht Spaß, diesem Figaro zuzusehen, wie er gegen den Grafen grollt. Im vierten Akt ist Páll immer noch in Form, doch Figaro verlassen die Kräfte: Während Susannas verführerischer Rosenarie, von der er glaubt, dass sie an den Grafen gerichtet ist, bleibt ihm nichts anderes übrig, als zu weinen. Man kann es ihm nicht verübeln.”
– Adele Bernhard, opernmagazin.de

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