INTRODUCTION

The Norwegian baritone Johannes Weisser is considered to be one of Scandinavia’s leading singers of his generation, and has been engaged at opera houses such as the Staatsoper Berlin, Théâtre des Champs-Elysées, Theater an der Wien, Salzburg Festival, Teatro Real Madrid, Opera Bilbao, Opera Versailles, Komische Oper Berlin, Opera de Lausanne, Théâtre de La Monnaie in Brussels, Festspielhaus Baden-Baden, Canadian Opera Company, Opera National du Rhin, Theater and der Wien, The Royal Danish Opera, Megaron Athens and The Norwegian National Opera, where he he remains a regular guest.

RECENT AND FUTURE HIGHLIGHTS

Highlights of recent seasons have included Don Pizarro in Fidelio at the Hessische Staatstheater Wiesbaden, the Elbphilharmonie and the Berlin Philharmonic with the Freiburger Barockorchester, as well as at the Stavanger Concert Hall with the Stavanger Symphony Orchestra, Verdi’s Requiem with The Copenhagen Phil, Händel’s Messiah at the Musikverein Wien, Germont in La traviata and the title role in Gianni Schicchi in Oslo, Siegfried in Schumann’s Genoveva at the Dresden Music Festival, Mauregato in Schubert’s Alfonso und Estrella in Helsinki and Budapest, Mahler’s Rückert-Lieder with the Copenhagen Philharmonic Orchestra, Brahms’ Vier ernste Gesänge and Mahler’s Kindertotenlieder with the Stavanger Symphony Orchestra, Beethoven’s 9th Symphony with the Monte Carlo Philharmonic Orchestra, Beethoven’s Missa Solemnis at the Menuhin Festival in Gstaad, as well as at the Aix-en-Provence Festival, Beethoven Festival in Bonn and in the Philharmonie Köln, Caldara’s Maria ai piedi Cristo in Madrid and the Philharmonie in Paris, St John Passion with the Royal Concertgebouw Orchestra Amsterdam, as well as Der Einäugige in Die Frau ohne Schatten at the Festspielhaus Baden-Baden and Berlin with the Berlin Philharmonic and conductor Kirill Petrenko.

He has also in recent years had great success with his interpretations of contemporary operas, most notably as Dillon in the world premiere of Missy Mazzoli’s The Listeners at the Norwegian Opera in Oslo, repeating the role for the German premiere of the piece at the Aalto Theater in Essen, and The Older Man in Bent Sørensen’s and Jon Fosse’s opera Asle og Alida that received much praise both at the Bergen National Opera and the Royal Danish Opera. In August 2025, he jumps in as Don Giovanni at the Confidencen Opera Festival in Stockholm.

Johannes Weisser’s engagements in season 25/26 and beyond include:

Beethoven’s Missa Solemnis w. Wolfram Christ at Teatro Filarmonico di Verona and Teatro Comunale di Vicenza, Mozart’s Requiem with the Oslo Philharmonic, Cartellieri’s Rüberzahl with Helsinki Baroque Orchestra in Helsinki and Budapest, Bach’s St Matthew Passion with René Jacobs and the Netherlands Chamber Orchestra at Het Concertgebouw Amsterdam, Mozart’s Great Mass in C minor, K. 427  with Diego Fasolis and Orchestra i Pomeriggi Musicali in Milan, and Beethoven’s Symphony No. 9 with Orchestre Philharmonique de Monte-Carlo, among others.

BIOGRAPHY

Johannes Weisser’s repertoire includes roles such as the title role and Leporello in Don Giovanni, Don Pizzarro in Beethoven’s Fidelio, Giorgio Germont in Verdi’s La traviata, the father in Hansel and Gretel, the title role in Gianni Schicchi, Papageno in The Magic Flute, and several of Händel’s major roles for bass, such as Achilla in Giulio Cesare and Re di Scozia in Ariodante.

Weisser has performed with leading orchestras and ensembles such as the Vienna Philharmonic, Berlin Philharmonic, Vienna Symphony Orchestra, Orchestre de Paris, Orchestra dell’Accademia Nazionale di Santa Cecilia, Orchestre de Radio France, BBC Symphony Orchestra, Mahler Chamber Orchestra, Belgian National Orchestra, Bamberger Symphoniker, and Concertgebouw Orchestra in Amsterdam. He has collaborated with outstanding conductors such as Herbert Blomstedt, Andris Nelsons, Kirill Petrenko, Adam Fischer, Andrew Manze, René Jacobs, Ingo Metzmacher, Marc Minkowski, Giovanni Antonini, Alan Curtis, Fabio Biondi, Diego Fasolis, Philippe Herreweghe, Vasily Petrenko, Trevor Pinnock, Edward Gardner, and Jérémie Rhorer.

As a dedicated performer of the German Lied and with a special affinity to the works of his compatriot Edvard Grieg, Johannes Weisser regularly performs in recitals and enjoys long-standing collaborations with outstanding pianists such as Julien Quentin, Christian Ihle Hadland, Daniel Heide, and Søren Rastogi.

Johannes Weisser has appeared on more than twenty CD and DVD recordings. His discography includes Haydn’s The Creation, Mozart’s Requiem, Bach’s St. Matthew Passion, and St. John Passion, Don Pizarro in Beethoven’s Leonore, the role of Achilla in Giulio Cesare, as well as “Visiting Grieg,” a critically acclaimed CD of songs by Edvard Grieg, together with the pianist Søren Rastogi. He has also recorded Grieg’s Peer Gynt with the Bergen Philharmonic Orchestra and conductor Edward Gardner, and he was nominated for a GRAMMY (best opera recording) for his role as David in Ståle Kleiberg’s David and Bathsheba with the Trondheim Symphony Orchestra and conductor Tönu Kaljuste.

OPERA

 

Ariosti, A. La fede nei tradimenti Garzia
Bartók, B. Bluebeard’s Castle Bluebeard*
Beethoven, L. v. Fidelio / Leonore Don Pizarro
Cavalieri, E. de Rappresentatione di Anima et di Corpo Corpo
Cavalli, F. La Calisto Giove
Donizetti, G. Don Pasquale Malatesta
Gluck, C. W. Iphigénie en Tauride Agamemnon
Händel, G. F. Ariodante Re di Scozia
Alcina Melisso
Arianna in Creta Minos
Giulio Cesare Achilla
Humperdinck, E. Hänsel und Gretel Peter*
Mazzoli, M. The Listeners Dillon
Monteverdi, C. L’Orfeo Plutone
Mozart, W. A. Don Giovanni Don Giovanni
Leporello
Così fan tutte Guglielmo
Die Zauberflöte Papageno
Puccini, G. Gianni Schicchi Gianni Schicchi
La bohème Schaunard
Tosca Scarpia*
Purcell, H. King Arthur Cold Genius
King Arthur Aeolus
Ravel, M. L’heure espagnole Ramiro
Reinvere, J. Peer Gynt Prest
Peer Gynt Slakter
Saariaho K. Innocence Father-in-Law
Schubert, F. Alfonso und Estrella Mauregato
Schumann, R. Genoveva Siegfried
Sørensen, B. Asle og Alide Den eldre mann
Tchaikovsky, P. I. Eugene Onegin Eugene Onegin
Verdi, G. La traviata Giorgio Germont
Wagner, R. Der fliegende Holländer Holländer*
Tristan & Isolde Kurwenal*

*in preparation

CONCERT

 

Bach, C. P. E. Die Auferstehung und Himmelfahrt Jesu
Die Israeliten in der Wüste
Bach, J. S. B Minor Mass
Christmas Oratorio
Magnificat
Solo Cantatas for Bass
The Passions
Beethoven, L. v. Kantate auf den Tod Kaiser Joseph II
Missa Solemnis
Symphony No. 9
Brahms, J. Requiem
Brahms, J. / Glanert, D. Vier ernste Gesänge
Brahms, J. / Schmalz, W. Vier ernste Gesänge
Bruckner, A. Messe in f-Moll
Te Deum
Fauré, G. Requiem
Gade, N. W. Erlkönigs Tochter
Herr Oluf
Grieg, E. Peer Gynt
Händel, G. F. La Resurrezione
Messiah
Theodora
Haydn, J. Applausus
Die Jahreszeiten
Die Schöpfung
Il ritorno di Tobia
Nelson Messe
Kleiberg, S. David and Batsheba
Mass for Modern Man
Mahler, G. Des Knaben Wunderhorn
Kindertotenlieder
Rückert-Lieder
Mendelssohn, F. Die erste Walpurgisnacht
Paulus
Marx, A. B. Mose
Monrad-Johansen, D. Voluspaa
Mozart, W. A. Coronation Mass
Mass in C minor
Requiem
Nordheim, A. The Tempest
Pergolesi, G. B. Septem Verba
Rossini, G. Petite Messe Solennelle
Schubert, F. Mass in G
Telemann, G. P. Brockes Passion
Der Tod Jesu
Die Tageszeiten
Verdi, G. Requiem
Weber, C. M. v. Kampf und Sieg

VIDEO

Johannes Weisser – Alfonso und Estrella by F. Schubert – Mauregato’s aria (MÜPA Budapest, May, 2022)

Johannes Weisser – La traviata by G. Verdi – Di Provenza il mar, il suol (Norwegian National Opera & Ballet, Oct. 2023)

Johannes Weisser – Kindertotenlieder by G. Mahler (Norwegian National Opera & Ballet, main stage recital, Jan. 2021)

REVIEWS

Asle og Alida by B. Sørensen at the Royal Danish Opera (Jun. 2025)

“Johannes Weisser (baritone) is magnificent with his bizarre, grotesque singing style
across three octaves, from the deepest bass to falsetto, delivered with relentless power, while he portrays a long-haired bum with his grinning, pushy, deceitful, untrustworthy, and latently violent behavior.”
– Erling E. Guldbrandsen, Ballade.no

Messiah by G. Händel w. the Belgian National Orchestra at BOZAR Brussels (Nov. 2023)

“Fast-paced and expressive, baritone Johannes Weisser stands out within the cast. Ready for battle, charged with vehemence, the singer brings a burst of radical energy to the front line of the soloists. In dialogue with his fellow performers, he manages to shape his vocal line with rich, dark vibrations—firm, varied, and marked by a notable charisma.”
– Soline Heurtebise, olyrix.com

La traviata by G. Verdi at the Norwegian National Opera and Ballet (Oct. 2023)

“The undisputed master of the stage was Johannes Weisser in the role of the stern father Germont. He was the only one who commanded all vocal registers and possessed both the artistic authority and presence to truly embody his character and convey the music as dramatic text.”
– Magnus Andersson, Klassekampen

NEWS

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