INTRODUCTION

Erika Grimaldi has a rich, mellow and round voice of quality and attractive timbre in good balance and of pure intonation. Her warm, flowery soprano voice stands out with impressive depth and steadiness unifying a personal musical expression with a captivating stage presence.

The artist is one of the most sought for lyric sopranos in Europe today, having delivered critically acclaimed performances in nearly a dozen roles at the prestigious Teatro Regio di Torino. Erika Grimaldi is equally at home at such major opera houses as Teatro dell’Opera di Roma, Bayerische Staatsoper in Munich, Deutsche Oper in Berlin, Teatro di San Carlo in Naples, and Opéra National de Montpellier.

She works regularly with Artistic Teams such as Noseda, Chailly, Luisotti, Allemandi, Penderecki, Santi, Lanzilotta, Rustioni, Sagripanti, Montanaro, Lopez-Cobos, Abbado, Bieito, Loy, Poda, Ollé, Sagi, etc.

RECENT AND FUTURE ENGAGEMENTS

Erika Grimaldi’s future projects include:

  • a role debut as Amelia/Un Ballo in Maschera with Noseda and Homoki in Zürich;
  • Leonora/Il Trovatore (concert version) w. Auckland Philharmonic;
  • Maddalena/Andrea Chénier  at Teatro Comunale di Bologna.

Among her most recent highlights are:

  • Contessa/Le Nozze di Figaro at Moscow’s Bolshoi Theatre;
  • Verdi’s Requiem w. Auckland Philharmonic, in Milan with Claus Peter Flor, and in Georgia with Maestro Noseda;
  • Liù/Turandot at Teatro Regio di Torino and the Teatro Verdi di Padova;
  • Alice Ford/Falstaff at the Teatro Petruzzelli di Bari;
  • Nedda/Pagliacci in Trapani and Deutsche Oper Berlin;
  • Symphony no. 8 Lieder der Vergänglichkeit, conducted by renowned Polish composer Krzysztof Penderecki at Bucarest Enescu Festival;
  • Rossini’s Stabat Mater at Kennedy Center Washington and Carnegie Hall in New York, conducted by Gianandrea Noseda.

BIOGRAPHY

2018-2019

Highlights of 2018/2019 season were Verdi’s Requiem at Gulbenkian Foundation Lisbon, conducted by Michel Corboz and the role of Donna Anna/Don Giovanni at Teatro Regio in Turin. Erika has been on tour with the Israel Philharmonic Orchestra conducted by Gianandrea Noseda singing Rossini’s Stabat Mater in Tel Aviv, Jerusalem, and Haifa. Then she played Nedda/Pagliacci at Berlin’s Deutsche Oper,  Liù in a Stefano Poda’s new production of Puccini’s Turandot in Turin and the role of Countess in Le nozze di Figaro at Moscow’s Bolshoi Teather. The last engagement of the year was Rossini’s Stabat Mater in Toulouse with Orchestre national du Capitole de Toulouse.

2017-2018

During season 2017/2018 Erika Grimaldi appeared at 70°th Edinburgh International Festival playing Mimí/La Bohème and singing Verdi’s Requiem, followed by her debut in the role of Mrs Alice in Verdi’s Falstaff, conducted by D. Renzetti in Turin. Then she was again Mimí in La Bohème at War Memorial Opera House in San Francisco. She performed Mathilde in Rossini’s Guglielmo Tell at Bayerische Staatsoper in Münich and Nedda in a new production of Leoncavallo’s Pagliacci, conducted by Nicola Luisotti with the direction of Gabriele Lavia. In the summer she sang Beethoven’s IX Symphony at Arena in Verona, conducted by Daniel Oren. In autumn she sang Verdi’s Requiem in Konzerthaus of Dortmund and in Alte Oper of Frankfurt, both conducted by Andrés Orozco-Estrada.

2015-2016

The 2015/2016 season marks a very important Grimaldi’s debut as Giovanna d’Arco at Teatro alla Scala in Milan under the baton of Riccardo Chailly, directed by Moshe Leiser. Then she performed again Mimí/La Bohème at Oviedo’s Teatro Campoamor with the direction of Emilio Sagi and sang Verdi’s Requiem at the Philharmonie de Paris. In Hong Kong Cultural Centre she appeared as Maria/Simon Boccanegra (conducted by Roberto Abbado for HKAF 2016) and again in Verdi’s Requiem. Then she played Armilla/La donna serpente in Turin, Micaela/Carmen at War Memorial Opera House in San Francisco, Mimí/La Bohème at Savonlinna Opera Festival. She distinguished herself again in Verdi’s Requiem on tour with London Symphony Orchestra conducted by G.Noseda (Barbican Centre in London, Lincoln Center in New York, Palau de la Musica in Barcellona). Finally, she played Alice Ford/Falstaff, conducted at Verbier Festival and Cousinier in Le Rossignol by  I. Stravinskyij at Stresa Festival.

EDUCATION & AWARDS

Graduated with distinction in singing and piano at Conservatorio Giuseppe Verdi in Turin, in 2008 Erika Grimaldi won the Adriano Belli competition at the Teatro Lirico Sperimentale in Spoleto and after that her engagements kept rising over 2009 and the soprano found herself in major venues both at home and abroad.

AUDIO & VIDEO

Erika Grimaldi – Un Ballo in maschera by G. Verdi – Morrò, ma prima in grazia (2022)

Erika Grimaldi – Don Giovanni by W.A. Mozart – Mi tradi quell’alma ingrata (2022)

Erika Grimaldi – Turandot by G. Puccini – Tanto amore segreto… Tu che di gel sei cinta…, Teatro Regio di Torino (2018)

Erika Grimaldi – Pagliacci by R. Leoncavallo – Qual Fiamma Avea Nel Guardo (2022)

Erika Grimaldi – Tosca by G. Puccini – Vissi d’arte (2022)

REVIEWS

Giovanna d’Arco – Teatro alla Scala, Milan – 2016

“Erika Grimaldi ha impersonato la Giovanna dei fraseggi belcantistici e dell’ampia tessitura con voce chiara e melodiosa, il suo timbro più accomodante nei duetti, nei terzetti e nei concertati col coro ha svelato tutta l’intimità del personaggio: al suo debutto scaligero la Grimaldi ha retto assai bene.”

– Marco Nebuloni, Fermata Spettacolo

Turandot – Teatro Regio di Torino, 2018

“Liù è Erika Grimaldi, che porta sulla scena un personaggio particolarmente accurato, e che in questa edizione risulta preminente rispetto a Turandot. Il soprano astigiano utilizza uno strumento vocale caldo e omogeneo nell’emissione, dotato di particolare espressività nei filati, godibile e ricco di colori su tutta la linea. L’insieme di queste buone premesse si concretizza nell’esecuzione di un “Signore ascolta” da manuale.”
– Salvatore Blasco, Connessi all’Opera

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