INTRODUCTION

Irish soprano Celine Byrne is recognized nationally and internationally as one of opera’s great stars. She is widely celebrated for her deep connection to the works of Puccini. She has performed major Puccini heroines on prestigious international and domestic stages, making his romantic, dramatic repertoire a defining cornerstone of her operatic career.

A performer of  ‘fine lyrical quality and a touching actor too’ (Opera Magazine).

RECENT AND FUTURE ENGAGEMENTS

26/27 season sees Celine Byrne perform Tosca at Oper in Steinbruch, Austria, Madama Butterfly with Opera Malta, Liu in Turandot with Irish National Opera, Ellen Orford in Peter Grimes at San Carlo Theater, Napoli, and concerts in Dublin with the RTÉ Concert Orchestra, Ankara (Turkey) with the Presidential Orchestra, and also in Qatar.

Recently, Celine performed the title role in Madama Butterfly at the Bregenzer Festspiele (2022), Opéra National de Bordeaux (2022), and Opera Ballet Vlaanderen (2024), Die Marschallin in Der Rosenkavalier (2023) and Mimi in La bohème (2023) at the Irish National Opera, Mimi in La bohème at the Luzern Theater (2024). She made a role debut as Giorgetta/Il tabarro at Deutsche Oper am Rhein (2026), and she was a cover of Marschallin/Der Rosenkavalier at the Zürich Opera House (2025).

On the concert scene, her recent projects included the concert Video Games in Music with Bamberger Symphoniker in Bamberg and at Concertgebouw Amsterdam, as well as with Noord Nederlands Orkest on tour in Netherlands, concerts with Jose Carreras and Andrea Bocelli around Europe, a USA tour with Barry Douglas and Camerata Ireland (including a Carnegie Hall recital), concerts in the USA with composer and conductor Éimear Noone, and a St. Patrick’s Day concert at the San Francisco Conservatory of Music.

BIOGRAPHY

Celine made her operatic début in 2010, singing the role of Mimi in La Bohéme. In 2012, she made her Royal Ballet and Opera House debut in the lead role of Dvořák’s Rusalka under Yannick Nézet-Séguin, which she took over at short notice. This was followed by 1. Blumenmädchen in Parsifal, Micaela in Carmen, and most recently Liu in Turandot.

Celine has also recently performed the title role of Madama Butterfly with Irish National Opera to critical acclaim. She also performed the role at Bregenzer Festspiele, and the Opéra National de Bordeaux and Antwerp Opera, Belgium. Other roles include Die Marschallin in Der Rosenkavalier and Mimi in La Boheme with Irish National Opera, Mimi in Luzern, Liu in Turandot in Oper In Steinbruch directed by Thaddeus Strassberger, Magda in Puccini’s La Rondine with Minnesota Opera, Floria Tosca at Mikhailovsky Opera, St. Petersburg, Liu (Turandot) and Elizabeth (Don Carlo) in Leipzig and Deutsche Oper am Rhein, Düsseldorf and Madama Butterfly with Staatstheater Kassel, Die Marschallin in Der Rosenkavalier in Santiago and Marietta in Korngold’s Die Tote Stadt with RTÉ National Symphony Orchestra in the NCH, Dublin, Mimi with Hamburg State Opera and most recently by Gorgetta in Puccini’s Il Tabarro at Deutsche Oper am Rhein, Düsseldorf.

A frequent concert performer, Celine has performed with world-renowned tenors José Carreras, Roberto Alagna and Joseph Calleja and has recently sung with Bryn Terfel accompanied by the Borusan Philharmonic Orchestra (conducted by Sasha Goetzel). Recent concerts include Richard Strauss’ Vier Letzte Lieder in Dublin with The Irish National Symphony Orchestra, a recording of Verdi’s Requiem with the Prague Radio Symphony Orchestra conducted by André Lenard, a concert with The Sun Valley Summer Symphony in America and a concert at the Bangkok Festival of Music and Dance in Thailand.

Celine received her Master’s in Music from the Royal Irish Academy of Music, receiving the RIAM award for outstanding achievement. In addition, she has an honours Music Degree from the Conservatory of Music and Drama, Dublin, where she was awarded the college Gold Medal for excellence. She also received coaching at the National Opera Studio of London and studied with Christa Ludwig at the Vienna Staatsoper. Celine was awarded many prizes in competitions, including the prestigious Maria Callas Grand Prix in Athens Prize where she won First Prize and Gold Medal at Other awards include the Margaret Burke-Sheridan Gold Medal, the William Young Prize at the Veronica Dunne International Singing Competition, Dublin, and First Prize at the IVC International Singing Competition in s’Hertogenbosch, The Netherlands.

OPERA

 

Benedict, J. The Lily of Killarney Ann Shute
Bizet, G. Carmen Micaëla
Britten. B. Peter Grimes Ellen
Catalani La Wally Wally
Dvořák, A. Rusalka Rusalka
Korngold, E.W. Die tote Stadt Marietta/Marie
Lehár, F. Die lustige Witwe Hanna Glawari
Leoncavallo, R. I Pagliacci Nedda
Mozart, W. A. Così fan tutte Fiordiligi
Don Giovanni Donna Elvira
Le nozze di Figaro Countess Rosina Almaviva
Puccini, G. Il trittico – Gianni Schicchi Lauretta
Puccini, G. Il trittico – Il tabarro Giorgetta
La bohème Mimì
La Rondine Magda de Civry
Madama Butterfly Cio-Cio San (Madama Butterfly)
Tosca Floria Tosca
Turandot Liù
Strauss, R. Ariadne auf Naxos The primadonna (Ariadne)*
Arabella Arabella*
Der Rosenkavalier The Marschallin
Verdi, G. Don Carlo Élisabeth de Valois
La forza del destino Leonora*
Simon Boccanegra Maria Boccanegra (Amelia)
Un ballo in maschera Amelia*
Wagner, R. Die Walküre Ortlinde
Sieglinde*
Lohengrin Elsa*
Tannhäuser Princess Elisabeth*
Weber, C. M. Der Freischütz Agathe

*in preparation

CONCERT & ORATORIO

 

Brahms, J. Requiem
Faure, G. Requiem
Handel, G.F. Messiah
Korngold, J. Drei Lieder op. 18
Mahler, G. Symphony No. 4
Ruckert Lieder
Mendelssohn, F. Elijah
St. Paul
Mozart, W.A. Missa in C (Coronation Mass)
Missa Brevis in B flat (K275)
Requiem Mass
Strauss, R. Vier letzte Lieder
Verdi, G. Requiem

VIDEO

Celine Byrne – Madama Butterfly by G. Puccini – Un bel dì, vedremo (Opera Ballet Vlaanderen, 2024)

Celine Byrne – Rusalka by A. Dvořák – Song to the Moon (Wexford Festival Opera, 2021)

Celine Byrne – Tannhäuser by R. Wagner – Dich, teure Halle (Wexford Festival Opera, 2021)

Celine Byrne – Tosca by G. Puccini – Vissi d’arte (Wexford Festival Opera, 2021)

REVIEWS

Madama Butterfly at the Irish National Opera – November 2025

“Many generations boast of having been in the presence of a real talent, and Celine Byrne truly reigns in our era. Her Butterfly is a vocal and dramatic tour de force. Her commanding on-stage presence never falters in over two and a half hours of musical prowess. Her dynamic and dramatic range illuminated the challenging score in a performance to be spoken about for many years to come.”
– Brian Merriman, nomoreworkhorse.com

“Satellites circling soprano Celine Byrne who is peerless as a vibrant Cio-Cio-San. From impressionable ingénue to passionate mother, Byrne infuses Cio-Cio-San with youthful intensity and openheartedness, and her singing is superb.”
– Chris O’Rourke, theartsreview.com

“Butterfly is one of Celine Byrne’s signature roles and she gave a towering performance. She portrayed Cio-Cio San as a determined and resilient character, able to withstand being ostracised by members of her own community while at the same time showing resourcefulness and a steely determination. Byrne brought a rich, opulent tone, powerful top notes and moments of exquisite ethereal beauty to the vocal line. She was mesmerising in the great love duet at the end of Act I. She sang ‘Un bel di’ with an increasing sense of rapture and intensity while probing the melancholy undercurrents of the aria.”
– Robert Beattie, Seen and Heard International

Madama Butterfly at the Opera Ballet Vlaanderen – September 2024

“It must be said that Celine Byrne embodies Cio-Cio-San with a simplicity and sincerity that command admiration. She is admirably credible as a teenager in love as well as a mature woman, dignified in abandonment. Her ductile, fluid soprano, never forced or pressed – despite an orchestra that is sometimes too present – ​​enjoys a wonderfully natural delivery. Even in the most famous arias like “Un bel di vedremo”, she abstains from the slightest seductive effect, as in her serious, luminous, and obstinate presence.”

– Tania Bracq, forumopera.com [Translated from French]

“First of all: the performance of Madama Butterfly that is currently on at Opera Vlaanderen features excellent singing. Celine Byrne in particular is convincing in a sometimes heavenly way in the title role.”

– Stepan Moens De Morgan

“Then there is the performance. I cannot help but praise it. Byrne convinced me most of all with how quickly she could jump between an extremely vocal purity, and then bring to her voice a kind of speaking dynamic that spoke of character. Her verismo singing is perfect in Puccini with Byrne’s velvety sound. This cast was a total combination that is certainly worthy of all praise.”

– Jesse Baeken, Klassiek Centraal [Translated from Dutch]

NEWS

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