INTRODUCTION

Celine Byrne is a lyric soprano from Ireland, recognized nationally and internationally as one of opera’s leading stars. Described by Opera Magazine as having ‘fine lyrical quality and a touching actor,’ she has earned widespread acclaim and prestigious prizes for her vocal and dramatic artistry.

RECENT AND FUTURE ENGAGEMENTS

Recently Celine performed the title role in Madama Butterfly at the Bregenzer Festspiele (2022), Opéra National de Bordeaux (2022), and Opera Ballet Vlaanderen (2024), Die Marschallin in Der Rosenkavalier (2023) and Mimi in La bohème (2023) at the Irish National Opera, and Mimi in La bohème at the Luzern Theater (2024).

Most recent and future engagements include the title role in Madama Butterfly and Liù in Turandot at the Irish National Opera, the title role in Tosca at the St. Margarethen Festival, Oper am Steinbruch, a role debut as Giorgietta/Il tabarro at Deutsche Oper am Rhein, and a cover of Marschallin/Der Rosenkavalier at the Zürich Opera House. On the concert scene, projects include the concert Video Games in Music with Bamberger Symphoniker in Bamberg and at Concertgebouw Amsterdam, as well as with Noord Nederlands Orkest on tour in Netherlands, concerts with Jose Carreras and Andrea Bocelli around Europe, a USA tour with Barry Douglas and Camerata Ireland (including a Carnegie Hall recital), concerts in the USA with composer and conductor Éimear Noone, and a St. Patrick’s Day concert at the San Francisco Conservatory of Music.

BIOGRAPHY

Celine Byrne received her Master’s in Music from the Royal Irish Academy of Music, where she studied with Dr. Veronica Dunne, receiving the RIAM award for outstanding achievement. In addition, she has an honors Music Degree from the Conservatory of Music and Drama, Dublin, where she was awarded the college Gold Medal for excellence. She also received coaching at the National Opera Studio of London and studied with Christa Ludwig at the Vienna Staatsoper.

Celine was awarded many prizes in completion including the prestigious Maria Callas Grand Prix Prize in Athens, where she won First Prize and Gold Medal. Other awards include the Margaret Burke-Sheridan Gold Medal, the William Young Prize at the Veronica Dunne International Singing Competition, Dublin, and the First Prize at the IVC International Singing Competition in s’Hertogenbosch, The Netherlands.

Celine made her operatic début in 2010, singing Mimi in La bohéme. In 2012, she made her Royal Opera House Covent Garden debut in the lead role of Dvořák’s Rusalka, which she took over at short notice. Soon afterward, she was invited back to sing 1 Blumenmädchen in Parsifal, followed by Micaela in Carmen and, most recently, Liu in Turandot.

Roles in recent years include Liu in Turandot in Oper im Steinbruch directed by Thaddeus Strassberger with Giuseppe Finz conducting and Mimi in La Bohéme with Irish National Opera. Previous roles include Magda in Puccini’s La Rondine with Minnesota Opera, Donna Elvira with Israeli Opera in Tel Aviv conducted by Daniel Oren and directed by Kasper Holten, Floria Tosca (Tosca) Mikhailovsky Opera, St. Petersburg, Liu (Turandot) and Elizabeth (Don Carlo) in Leipzig and Deutsche Oper am Rhein, Düsseldorf and Madama Butterfly with Staatstheater Kassel and Irish National Opera, Die Marschallin in Der Rosenkavalier in Santiago and Marietta/Marie in Korngold’s Die Tote Stadt with RTÉ National Symphony Orchestra in the NCH, Dublin and Mimi (La bohéme) with Hamburg State Opera.

A frequent concert performer, Celine has performed with world-renowned tenors José Carreras, Roberto Alagna, and Joseph Calleja and recently sung with Bryn Terfel accompanied by the Borusan Philharmonic Orchestra, conducted by Sasha Goetzel. Recent concerts include Richard Strauss’ Vier Letzte Lieder in Austria, a recording of Verdi’s Requiem with the Prague Radio Symphony Orchestra, conducted by André Lenard, and a concert with the Sun Valley Summer Symphony in America.

OPERA

 

Benedict, J. The Lily of Killarney Ann Shute
Bizet, G. Carmen Micaëla
Catalani La Wally Wally
Dvořák, A. Rusalka Rusalka
Korngold, E.W. Die tote Stadt Marietta/Marie
Lehár, F. Die lustige Witwe Hanna Glawari
Leoncavallo, R. I Pagliacci Nedda
Mozart, W. A. Così fan tutte Fiordiligi
Don Giovanni Donna Elvira
Le nozze di Figaro Countess Rosina Almaviva
Puccini, G. Il trittico – Gianni Schicchi Lauretta
Puccini, G. Il trittico – Il tabarro Il tabarro
La bohème Mimì
La Rondine Magda de Civry
Madama Butterfly Cio-Cio San (Madama Butterfly)
Tosca Floria Tosca
Turandot Liù
Strauss, R. Ariadne auf Naxos The primadonna (Ariadne)*
Arabella Arabella*
Der Rosenkavalier The Marschallin
Verdi, G. Don Carlo Élisabeth de Valois
La forza del destino Leonora*
Simon Boccanegra Maria Boccanegra (Amelia)
Un ballo in maschera Amelia*
Wagner, R. Die Walküre Ortlinde
Sieglinde*
Lohengrin Elsa*
Tannhäuser Princess Elisabeth*
Weber, C. M. Der Freischütz Agathe

*in preparation

CONCERT & ORATORIO

 

Brahms, J. Requiem
Faure, G. Requiem
Handel, G.F. Messiah
Korngold, J. Drei Lieder op. 18
Mahler, G. Symphony No. 4
Ruckert Lieder
Mendelssohn, F. Elijah
St. Paul
Mozart, W.A. Missa in C (Coronation Mass)
Missa Brevis in B flat (K275)
Requiem Mass
Strauss, R. Vier letzte Lieder
Verdi, G. Requiem

VIDEO

Celine Byrne – Madama Butterfly by G. Puccini – Un bel dì, vedremo (Opera Ballet Vlaanderen, 2024)

Celine Byrne – Rusalka by A. Dvořák – Song to the Moon (Wexford Festival Opera, 2021)

Celine Byrne – Tannhäuser by R. Wagner – Dich, teure Halle (Wexford Festival Opera, 2021)

Celine Byrne – Tosca by G. Puccini – Vissi d’arte (Wexford Festival Opera, 2021)

REVIEWS

Madama Butterfly at the Irish National Opera – November 2025

“Many generations boast of having been in the presence of a real talent, and Celine Byrne truly reigns in our era. Her Butterfly is a vocal and dramatic tour de force. Her commanding on-stage presence never falters in over two and a half hours of musical prowess. Her dynamic and dramatic range illuminated the challenging score in a performance to be spoken about for many years to come.”
– Brian Merriman, nomoreworkhorse.com

“Satellites circling soprano Celine Byrne who is peerless as a vibrant Cio-Cio-San. From impressionable ingénue to passionate mother, Byrne infuses Cio-Cio-San with youthful intensity and openheartedness, and her singing is superb.”
– Chris O’Rourke, theartsreview.com

“Celine Byrne is brilliant in sparkling modern take on Madama Butterfly”
– Katy Hayes, Irish Independent

Madama Butterfly at the Opera Ballet Vlaanderen – September 2024

“It must be said that Celine Byrne embodies Cio-Cio-San with a simplicity and sincerity that command admiration. She is admirably credible as a teenager in love as well as a mature woman, dignified in abandonment. Her ductile, fluid soprano, never forced or pressed – despite an orchestra that is sometimes too present – ​​enjoys a wonderfully natural delivery. Even in the most famous arias like “Un bel di vedremo”, she abstains from the slightest seductive effect, as in her serious, luminous, and obstinate presence.”

– Tania Bracq, forumopera.com [Translated from French]

“First of all: the performance of Madama Butterfly that is currently on at Opera Vlaanderen features excellent singing. Celine Byrne in particular is convincing in a sometimes heavenly way in the title role.”

– Stepan Moens De Morgan

“Then there is the performance. I cannot help but praise it. Byrne convinced me most of all with how quickly she could jump between an extremely vocal purity, and then bring to her voice a kind of speaking dynamic that spoke of character. Her verismo singing is perfect in Puccini with Byrne’s velvety sound. This cast was a total combination that is certainly worthy of all praise.”

– Jesse Baeken, Klassiek Centraal [Translated from Dutch]

NEWS

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