INTRODUCTION
Anna Hartmann is a young Norwegian conductor based in Oslo. Her dedication and positive energy are quickly being noticed by several orchestras in the European musical scene. Between 2021 and 2023, she held the position of Assistant Conductor for the Arctic Philharmonic Orchestra.
RECENT AND FUTURE HIGHLIGHTS
Most recent and future engagements in 2023/2024, 2024/2025 and beyond include Puccini’s Il Trittico at Teatre Principal de Palma; Prokofiev’s Peter and the Wolf, The Seasons by Vivaldi, Fjellheim’s Solen min far, jorda min mor and Bjørnejegeren Ol Tomså w. the Arctic Philharmonic, and Prokofiev’s Peter and the Wolf (a ‘symphonic film adventure’) w. Jönköpings Sinfonietta. Anna served as an assistant conductor for Osama Abdulrasol’s Barzakh at Opera Ballet Vlaanderen during the 2024/2025 season and has been invited to return for the 2025/2026 season.
Anna Hartmann participates in the Nordic Conducting Forum (season 24/25), which includes workshops with the Iceland Symphony Orchestra (w. Eva Ollikainen) and the Aarhus Symphony Orchestra (w. Thomas Dausgaard).
BIOGRAPHY
Anna Hartmann made her professional debut in November 2021 with the Arctic Philharmonic Orchestra at the Stormen Concert House and Oslo Opera House with the performance Solen min far, jorda min mor. The performance was a tribute to the Sami multi-artist Nils-Aslak Valkepaa, and was created in cooperation between Arctic Philharmonic, composer Frode Fjellheim, and the Sami National Theatre Beivaas and was broadcasted in February on the show Hovedscenen by NRK. She conducted the Norwegian Independence Day concert with the Arctic Philharmonic and the Kyiv Soloists.
In 2022/2023, she led the Stavanger Symphony Orchestra in Prokofiev’s Peter and the Wolf, and she also conducted a concert with Prinsens Musikkorps with Håkon Kornstad. Anna conducted a Frode Fjellheim concert (Bjørnejegeren Ol Tomså) with the Arctic Philharmonic, as well as family concerts w. the Odense Symphony Orchestra (Grieg, Ravel, Barrett).
Through her work with the Arctic Philharmonic, Anna has proven herself to be a versatile conductor and musician. She has already conducted several concerts with the orchestra, several of the premiering newly written music. On the performance of ‘Solen min far, jorda min mor’ mentioned above, she jumped in short notice covering for the chief conductor. Her skills in working on large-scale and complex projects gained her much respect from the orchestra, and her efforts were acknowledged as a big part of the performance’s success.
In the summer of 2019, Anna was engaged by Manchester International Festival as conductor for the festival’s headliner project that year, ‘The Nico Project. ‘ As part of the artistic team of the production, she worked closely alongside internationally renowned artists such as director Sarah Francom, actress Maxine Peak, and composer Anna Clyne. Anna also participated in the second rendition of the show at the Melbourne International Arts Festival in October 2019.
EDUCATION
During her studies at the Royal Northern College of Music (RNCM), under the tutelage of Mark Heron and Clark Rundell, Anna acted as assistant conductor for Royal Liverpool Philharmonic Orchestra, Psappha, and BBC Philharmonic. She also worked with several visiting tutors, such as David Hill, Nicolas Pasquet, Simone Young, Mark Wrigglesworth, and Sir Mark Elder. The projects she has been a part of include workshops with Psappha and concerts with Manchester Camerata.
Anna also studied conducting at the Royal College of Music in Stockholm and at the Faculty of Performing Arts of the University of Stavanger. In addition to her studies, she has participated in several masterclasses in Europe, including the Conducting Week with Stavanger Symphony Orchestra and the London Classical Soloist’s Masterclass and Competition, where she won the second prize.
OPERA
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Mozart. W.A. | Die Zauberflöte | |
Le nozze di Figaro | ||
Olsen, O. | Klippeøerne | |
Puccini, G. | Gianni Schicchi | |
Il tabarro | ||
Suor Angelica | ||
La bohème |
CONCERT
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Barber, S. | Adagio for Strings | |
Bartok, B. | Concerto for Orchestra | |
Beethoven, L.v. | Coriolan Ouverture | |
Egmont Ouverture | ||
Piano Concerto no. 1 | ||
Symphony no. 1 | ||
Symphony no. 5* | ||
Symphony no. 9 | ||
Bernstein, L. | Candide Ouverture | |
Berlioz, H. | Symphonie Fantastique | |
Boulanger, L. | D’un Soir Triste | |
Brahms, J. | Symphony no. 1 | |
Symphony no. 2 | ||
Symphony no. 4 | ||
Concerto for Violin and Cello* | ||
Bruckner, A. | Symphony no. 8 | |
Clyne, A. | The Nico Project | |
Debussy, C. | L’Apres Midi D’Un Faune | |
Dvorak, A. | Cello Concerto, B minor | |
Serenade for Strings | ||
Symphony no. 8 | ||
Symphony no. 9 | ||
Elgar, E. | Enigma Variations* | |
String Serenade | ||
Glinka, M. | Ruslan and Ludmila, Ouverture | |
Grainger, P. | Colonial Song | |
Lincolnshire Posy | ||
Hill Song no. 2 | ||
Grieg, E. | Symphonic Dance no. 2 | |
Holberg Suite | ||
Groven, E. | Hjalarljod | |
Halvorsen, J. | Norsk rapsodi nr. 1 | |
Suite Ancienne | ||
Haydn, J. | Cello Concerto in C | |
Symphony no. 49 | ||
Symphony no. 96 | ||
Holst, G. | The Planets* | |
Jolivet, A. | Concerto for flute and string orchestra | |
Ligeti, G. | Old Hungarian Ballroom Dances | |
Milhaud, D. | Le Boeuf sur le toit | |
Suite Francaise | ||
Mahler, G. | Ruckert Lieder | |
Symphony no. 1 | ||
Mozart, W.A. | Magic Flute Overture | |
La nozze di Figaro, Ouverture | ||
Symphony no. 15 | ||
Symphony no. 39 | ||
Symphony no 35 ‘Haffner’ | ||
Serenade for Winds in C minor, KV388 | ||
Nielsen, C. | Helios Ouverture | |
Nordheim, A. | Rendezvous for String Orchestra | |
Prokofiev, S. | Peter and the Wolf | |
Romeo and Juliet, Suite no. 1 | ||
Romeo and Juliet, Suite no. 2 | ||
Romeo and Juliet, Suite no. 3 | ||
Rossini, G. | La Gazza Ladra, Ouverture | |
Barber of Seville, Ouverture | ||
Schubert, F. | Symphony no. 5 | |
Symphony no 8 ‘Unfinished’ | ||
Schumann, R. | Manfred Ouverture | |
Symphony no. 2 | ||
Shostakovich, D. | Chamber Symphony op. 110a | |
Chamber Symphony op. 74a | ||
Symphony no. 8 | ||
Symphony no. 9 | ||
Sibelius, J. | Symphony no. 1 | |
Symphony no. 5* | ||
Symphony no. 7* | ||
Finlandia | ||
Romance in C | ||
Stravinsky, I. | L’Histoire du Soldat (Suite and full version) | |
Strauss, Johann | Die Fledermaus Ouverture | |
Svendsen, J. | Norwegian Artists’ Carnival | |
Tchaikovsky, P.I. | Violin Concerto | |
Symphony no. 5 | ||
Nutcracker Suite | ||
Tveitt, G. | Hundrade Hardingtonar (Various mvts) | |
Verdi, G. | Forza del Destino, Ouverture | |
La Traviata, Ouverture | ||
Vivaldi, A. | Concerto for 2 flutes | |
Wagner, R. | Siegfried Idyll | |
Tristan and Isolde, Prelude und Liebestod | ||
Weill, K. | Kleine Dreigroschensuite |
*in preparation
AUDIO & VIDEO
Anna Hartmann – Eanni Eannážan by Frode Fjellheim/Nils-Aslak Valkeapää (2021)
REVIEWS
‘Beaivi, hæčážan, Eanni, eannážan’ concert w. the Arctic Philharmonic – Nov. 2021