INTRODUCTION

Norwegian bass-baritone Aleksander Myrling (b.1995) is one of his country’s best young singing talents, noted for his vocal ability, physique, and balanced, hardworking mentality. He is currently establishing himself on a global scale.

RECENT AND FUTURE ENGAGEMENTS

Aleksander Myrling made his debut in Germany during the 2023-24 season at the Staatsoper Stuttgart Opera Studio. Here he sang roles such as Zuniga in Carmen, Monterone in Rigoletto, Zweiter Geharnischter in Die Zauberflöte, and participated in the opera studio special, Fundbüro, in addition to several Lieder performances.

He has been part of the Staatsoper Stuttgart Opera Studio ensemble in season 24/25 as well, performing as Zweiter Soldat/Salome, Zuniga/Carmen, Zweiter Geharnischter/Die Zauberflöte, Teppichmann/Fundbüro, Graf Monterone/Rigoletto, Voce di Nettuno/Idomeneo, Zweiter Gralsritter/Parsifal, Montano/Otello, and a bass soloist in The Fairy-Queen.

Aleksander will join the Frankfurt Oper ensemble for the 2025/26 and 2026/27 seasons. In the 2025/26 season, he is set to perform as Cesare Angelotti in Tosca, Landlord / Captain in Manon Lescaut, Barbavano in The Bandits, and Zuniga in Carmen.

Future engagements also include Mozart’s Requiem w. the Kristiansand Symphony Orchestra.

BIOGRAPHY

Aleksander studied at the Norwegian Academy of Music (2015-2019) for his Bachelor’s degree before his Master’s at the opera school of the Royal Conservatoire of Scotland (2019-2021). Aleksander finished his education at the University of Stavanger (2021-2022) with a postgraduate diploma. He was taught by Matthew Marriott and Professor Elizabeth Norberg-Schulz in Norway and Professor Stephen Robertson in Scotland.

Aleksander made his operatic debut as Conte Ceprano in Rigoletto during the Oslo Opera Festival 2016.

During the season of 2022-23, Aleksander did freelance work in his native Norway and abroad. Highlights include Escamillo in Carmen (Opera Rogaland) and Kurwenal in Tristan und Isolde II act (Stavanger Symphony Orchestra), both in Stavanger in addition to the title role of Gianni Schicchi (Orchestra Mediterranea) in Palermo. Aleksander was also a semi-finalist in the Renata Tebaldi competition in San Marino in the baroque section. He finished the year 2022 singing Händel’s Messiah in Venice (Venice Music Project).

The spring of 2023 included Bach’s Christmas Oratorio (Vocal Art) in Northern Norway, Jesus in St John’s Passion (Barokkanerne, Oslo), and another collaboration with the Venice Music project as Simone in La deposizione dalla croce by Hasse. The summer included a gala performance for Opera Østfold in Fredrikshalds Teater and the Swedish duet cycle of Gluntarne by Wennerberg at Fjord Classics.

He has been awarded scholarships from several grants, including Lilly-Stiftelsen, Skipsreder Tom Wilhelmsens Stiftelse, Steenslandsstipendet, The RCS trust foundation, and Jonas B Gundersens Musikkpris.

OPERA    

                                                                                                                                                                       

Bizet, G. Carmen Escamillo
Morales
Zuniga
Blow, J. Venus and Adonis A Grace
Debussy, C. Pelléas et Mélisande Golaud*
Dove, J. Flight Immigration Officer
Händel, G.F. Giulio Cesare Achilla
Curio
Rinaldo Argante
Monteverdi, C. L’Incoronazione di Poppea Ottone
Seneca
Mozart, W.A. Così fan tutte Don Alfonso
Die Zauberflöte Zweiter Geharnischter
Don Giovanni Il Commendatore (Don Pedro)
Leporello*
Idomeneo Voce di Nettuno
Le nozze di Figaro Figaro
Conte Almaviva*
Bartolo
Antonio
Offenbach, J. The Bandits Barbavano
Poulenc, F. Les dialogues des Carmèlites Dr. Javelinot
Puccini, G. Gianni Schicchi Gianni Schicchi
Marco
Amantio di Nicolao
Maestro Spineloccio
La bohème Colline
Manon Lescaut Landlord / Captain
Tosca Cesare Angelotti
Verdi, G. La forza del destino Marquis de Calatrava
Macbeth Banco
Otello Montano
Rigoletto Ceprano
Marullo
Monterone
Sparafucile
Wagner, R. Parsifal Zweiter Gralsritter
Weill, K. Die Dreigroschenoper Tiger Brown

*in preparation

CONCERT

 

Bach, J.S. Johannes-Passion
Weinachtsoratorium
Beethoven, L.v. Adelaide, Op. 46
Grieg, E. Vinjesangene, Op. 33
Finzi, G. Let Us Garlands Bring, Op. 18
Händel, G.F. Messiah
Hasse, J.A. La deposizione dalla croce
Luboff, N. African Mass
Mozart, W.A. Requiem
Scarlatti, A. Dixit Dominus
Schubert, F. Die schöne müllerin, Op. 25, D795
Wennerberg, G. Gluntarne
Williams, R.V. Songs of Travel

AUDIO & VIDEO

Aleksander Myrling – Rake’s Progress by I. Stravinsky – Come, Master, Observe the Host of Mankind (Mar. 2025)

Aleksander Myrling – Faust by C. Gounod – Vous, qui faites l’endormie (Jan. 2024)

REVIEWS

Parsifal by R. Wagner at Staatsoper Stuttgart (April 2025)

“Oder ihr Kollege aus dem Opernstudio Aleksander Myrling, der genauso markant wie kultiviert den zweiten Gralsritter phrasierte.”
– Dr. Jörg Riedlbauer, DER KLASSIKKRITIKER

Idomeneo by W.A. Mozart at Staatsoper Stuttgart (November/December 2024)

“Der erlösenden „La Voce“ gibt Aleksander Myrling gebietende Gestalt und Bass-Resonanz.”
– Udo Klebes, deropernfreund.de

“Sonor gab Aleksander Myrling die Stimme Neptuns.”
– Ludwig Steinbach, deropernfreund.de

Rigoletto by G. Verdi at Staatsoper Stuttgart (March 2024)

“Aleksander Myrling (ebenfalls Opernstudio) ein in väterlichem Jähzorn beinahe berstender Graf Monterone, dessen Verfluchung mit üppigem und bereits sehr fortgeschritten geschliffenem Bass aus der Mittelloge ideal in den ganzen Zuschauerraum projiziert wirkt.”
– Udo Klebes, onlinemerker.com

NEWS

Singers: All Events October 2024
Singers

October 2024 All Events: Singers

We are excited to unveil all the projects (premieres and first performances) our Singers (listed alphabetically) have scheduled for October 2024.…
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