Biography

Born in in the town of Korkino, Chelyabinsk province, in the Urals. He studied at Chelyabinsk Music School (G. Gavrilov’s class), and the Moscow Conservatoire (Professor Hugo Tits’s class) where he was also a post-graduate (Professor Pyotr Skusnichenko’s class).

Future engagements
include Tomskii/Queen of Spades at Norwegian National Opera in Oslo, Scarpia/Tosca in Sassari, Wolfram/2 Act of Tannnhäuser at the 100 Anniversary Jury Ljubimov Gala Concert at Bolshoi Theater in Moscow, 
Amonastro/Aida, Scarpia/Tosca and Nabucco at Arena di VeronaRachmaninov's Bells with Mitteldeutscher Rundfunk Orchestra, Scarpia/Tosca at Prague National Opera, Iago/Otello, Amonastro/Aida, Scarpia/Tosca, Le coq d’or/König Dodon at Deutsche Oper am Rhein Düsseldorf, Gianni Schicchi in Taiwan and Frà Melitone/La forza del Destino at Opera Tel Aviv.

He was a prizewinner at the Maria Callas Competition (Greece, 1989), and the Tchaikovsky Competition (Moscow, 1990). In 1987, he joined Boris Pokrovsky’s Moscow Chamber Music Theatre.

From 1990-1995, he was soloist with the Bolshoi Theatre, where he sung upwards of ten roles including such as Silvio (Pagliacci), Yeletsky (The Queen of Spades), Georges Germont (La Traviata), Figaro (Il barbiere di Siviglia), Valentin (Faust), Robert (Iolanta)

As Bolshoi Theatre guest soloist he performed Don Carlo (La Forza del Destino), Napoleon (Prokofiev’s War and Peace), Ruprecht (The Fiery Angel), Tomsky (The Queen of Spades), the title role (Nabucco), the title role (Macbeth).

His international engagements include appearances in Hamburg, Dresden, Berlin, Stuttgart, Frankfurt, Essen, Cologne, Helsinki, Oslo, Amsterdam, Brussels, Liege, Bordeaux, Toulouse, Strasbourg, Marseilles, Paris, Turin, Montpellier, Toulon, Copenhagen, Palermo, Treiste, Tokyo and others.

From 1993-1999, he appeared as guest artist with the Kemnits Opera Company. Since 1999 he has been a soloist with Dusseldorf Opera, where he sang:

Rigoletto, Scarpia (Tosca), Chorebe(Berlioz’s La prise de Troie), Lindorf, Coppelius, Miracle, Dapertutto (Les contes d’Hoffmann), Macbeth, Escamillo (Carmen), Amonasro (Aida), Tonio (I Pagliacci),

Amfortas (Parsifal), Gellner (La Wally), Iago(Otello), Renato (Un Ballo in Maschera), Georges Germont (La Traviata), Michele (Il Tabarro), Nabucco,Carlo Gerard (Andrea Chenier).

He participated in the Ludwigsburg Festival pro¬ductions under the direction of Wolfgang Gennenwein, where he has sung the lead baritone roles in Stiffelio, II trovatore, Nabucco, Ernani and Un ballo in maschera.

He has given concert appearances (over 100) in Japan.

He makes regular concert appearances at Lucca Festival and has sung in La Traviata, La forza del destino, Tosca, Rigoletto, La Boheme, Tannhauser, lolanta and The Queen of Spades in Venice, Turin, Padua, Lucca and Rimini.

Together with La Scala soloists, Anna-Caterina Antonacci, Luigi Roni, Claudio Dezderi and Alberto Rinaldi, he appeared in Il barbiere di Siviglia in Germany, France, Italy Belgium and Holland.

In 2003, he sang Nabucco in Athens, Iago in Graz, Count di Luna in Copenhagen, Georges Germont in Oslo, Scarpia and Figaro in Trieste.

In 2004-06, — Scarpia in Bordeaux, Germont in Oslo and Marcello (La Boheme) in Luxembourg and Tel-Aviv, Rigoletto and Carlo Gerard in Graz.

In 2007, — Tomsky in Toulouse.

In 2008, — Rigoletto in Maxico, Scarpia in Budapest.

In 2009, — Nabucco in Graz, Scarpia in Wiesbaden, Tomsky in Tokyo, Rigoletto in New Jersey and Bonn, Ford and Onegin in Prague.

In 2010, — Scarpia in Limoges.

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Boris Statsenko "Nabucco"...

Boris Statsenko , Serenad...

Reviews

Tosca, G, Puccini, Arena di Verona, 2017
"Molto interessante dal punto di vista musicale lo Scarpia delineato dal baritono Boris Statsenko. Il cantante russo ha mostrato consistente drammaticità e notevole presenza scenica oltre che una vocalità dal timbro perfettamente in sintonia con il ruolo affrontato. Statsenko, che è dotato di voce salda e può contare su una corretta emissione che lo sorregge in tutti i registri, offre una prova di forza considerevole nel secondo atto, risultando vocalmente sicuro e un interprete coinvolgente."

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Managers' Association

Iama (www.iamaworld.com)

Member of/Associé de l'Association

Européenne des Agents

Artistiques (www.aeaa.info)