Hanne Fischer



Hanne Fischer, Knight of the Dannebrog is a much sought-Danish mezzo soprano both at home, where she frequently performs at Royal Danish Opera - as well as abroad. Her strong presence of expression is often highlighted. Her role interpretations range from baroque, through Wagner, to contemporary music. Right now she performs the role of Sister Helen Prejean in "Dead Man Walking" at the Opera in Copenhagen and she has received a great amount of star reviews. 

Recently the artist has performed Prins Orlovsky/Flagermusen, Vores stemmer, Nancy T'ang/Nixon in China and Brangäne/Tristan und Isolde at Royal Danish Opera.

Future highlights include among others Annina/La Traviata and Serena Joy/The Handmaid's Tale at Royal Danish Opera.

Past engagements in recent years also include Waltraute in the concert performance of "Götterdämmerung" in Odense, under the direction of Alexander Vedernikov and Blanca/The Exterminating Angel at Royal Danish Opera, København in 2018.

At the Royal Opera House Copenhagen, she has performedmany roles, such as  The composer in "Ariadne auf Naxos", Melibea in "Journey to Reims" Charlotte in "Werther," Penelope in "Odysseus", Ottavia in "Poppea's Coronation" and La Frugola in Puccini's "Il Tabarro" and also Carmen. This year marks her 25th anniversary as an opera singer.

During the period 1993-1997 Hanne Fischer was part of the ensemble at Opera Kiel. She also performed at Glyndebourne Festival in England, at Staatsoper Berlin, Hamburger Staatsoper, Opera in Antwerp and Ghent and at Theatre de Champs-Elysee.

Since 2005, when the Royal Danish Opera inaugurated it's new waterside Opera House in Copenhagen, she was among the first performers in the world premiere of "Shakespear Sonnet", composed by Poul Ruders and dedicated to Hanne Fischer.

After her success as Fricka in Wagner's "Das Rheingold" and "Valkyrie" in Strasbourg, Hanne Fischer debuted in 2011 as Waltraute in Wagner's "Götterdämmerung" under the direction of David McVicar. She received great critical acclaim from international opera magazines, who all praised her unique voice character with poignant expression abilities and also her strong role interpretation.

As a concert singer Ms. Fischer has performed with all major Danish Orchestras and internationally in the big concert halls in Amsterdam, München, Berlin, Paris and London.  In 2009, on the 60th birthday of the European Council, she performed Mahler's 3rd Symphony under the direction of Marc Albrecht. She has performed also with many other grat conductors, such as Daniel Barenboim, Andrew Davis, Mark Elder, Marko Letonja, Mark Minkowski, Giancarlo Andretta, Hartmut Haenchen, Manfred Honeck, Michael Jurowski, Ton Koopman, Susanna Mälkki, Leif Segerstam, Michael Schönwandt, Yuri Temirkanov, Alexander Vedernikov, Carlo Rizzi, and Kirill Petrenko.

Ms. Fischer has received numerous awards and prizes including the Noilly Prat Price in 1993, Elisabeth Dons Memorial Award in 1995, Danish Music Critics Artist Award in 2004, Holger Bruusgaards Award of the Royal Orchestra in 2007 and Axel Schiøtz Award in 2010. She has been many times nominated for the Reumert award with her performances of Sextus in Mozar's "Titus", Orpheus in "Orpheus and Eurydice" and Händel's "Jephta". In 2014 she received the Ellen Gilbergs scholarship.

Her discography includes CD’s with The Danish Radio Symphony Orchestra and Berlin Radio Symphony Orchestra (Lehar's "Tatjana") and Aalborg Symphony Orchestra.  She also performs Verdi's "Requeim" in a recording of Trinitatis Kantori og Orkester.

On DVD she performs at the production of Wagner’s Ring, Carl Nielsen's "Masquerade" and also "Selma Jezkova" (Dancer in the Dark) by Poul Ruders.

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G. F. Händel - Let other ...

R. Wagner - Höre mit Sinn...


"Hanne Fischer’s Waltraute was outstanding, delivering her Narration—most cannily accompanied by Letonja (i.e. he kept it going)—with lovely sound and verbal insight. She doubled as Second Norn, and Nancy Weissbach similarly shared Gutrune and Third Norn."

"Le contraste entre son magma inintelligible de consonnes amorties et l’aisance de la Waltraute de Hanne Fischer, véritable conteuse qui sait faire vivre un récit jusque dans ses moindres détails, est particulièrement criant."

Member of The International Artist

Managers' Association

Iama (www.iamaworld.com)

Member of/Associé de l'Association

Européenne des Agents

Artistiques (www.aeaa.info)